DOUG AITKEN
BIBLIOGRAPHY
Ulrich, Matthias and Max Hollein, eds., Doug Aitken, published by Verlag für moderne Kunst, Nürnberg, Germany, 2015
Betsky, Aaron, Francesco Bonami, Kerry Brougher, Bice Curiger, and Tim Griffin, 100 YRS, published by Rizzoli, New York, NY, 2014
2012
Sleepwalkers Box, published by DFA Records & Princeton Architectural Press, New York, NY, and Princeton, NJ, 2012
2011
Joannou, Dakis, Doug Aitken: Black Mirror, published by Deste Foundation for Contemporary Art, Athens, Greece, 2011
Jacobson, Heidi Zuckerman, 99¢ Dreams, published by Aspen Art Museum, Aspen, CO, and D.A.P., New York, NY, 2008
Bowe, John, Write in Jerry Brown for President, published by Museum of Modern Art Library Council, New York, NY, 2008
2007
Biesenbach, Klaus, Peter Eleey, Glenn D. Lowry, Anne Pasternak, Sleepwalkers, published by Museum of Modern Art, New York, NY, 2007
2005
Daniel, Noel, ed., Broken Screen: Expanding the Image, Breaking the Narrative, 26 Conversations with Doug Aitken, published by D.A.P., New York, NY, 2005
Aitken, Doug, Alpha, published by JRP|Ringier, Zürich, Switzterland, and Musée d’Art Moderne de la Ville de Paris, ARC, Couvent des Cordeliers, Paris, France, 2005
2004
Gili, Marta, ed., We're Safe As Long As Everything Is Moving, published by Fundació La Caixa, Barcelona, Spain, 2004
2003
Ferguson, Russell, Philippe Parreno, Beatrix Ruf, Michael Speaks, and Marion Boulton Stroud, Doug Aitken A - Z Book (Fractals), published Hatje Cantz, Ostfildern, Germany, 2003
2002
Schneider, Eckhard, ed., Doug Aitken: New Ocean, published by Verlag der Buchhandlung Walther König, Cologne, Germany, 2002
Holm, Michael, Anders Kold, and Erik Tojner, Rise, published by Louisiana Museum of Modern Art, Humlebæk, Denmark, 2002
2001
Aitken, Doug, Daniel Birnbaum, Jorge Luis Borges, Jörg Heiser, and Amanda Sharp, Doug Aitken, published by Phaidon Press, UK, 2001
Bonami, Francesco, Henry Grunwald, Jorg Heiser and Gijs van Tuyl, Notes for New Religions - Notes for No Religions, published by Hatje Cantz, Ostfildern, Germany, and Kunstmuseum Wolfsburg, Germany, 2001
2000
Aitken, Doug, and Dean Kuipers, I am a Bullet: Scenes from an Accelerating Culture, published by Crown Publishers, New York, NY, 2000
Kuipers, Dean, Diamond Sea, published by Book Works, London, UK, 2000
1998
Metallic Sleep, published by Taka Ishii Gallery, Tokyo, Japan, 1998
Selected Catalogues and Publications:
2014
What Is An Image Now?, published by Blind Spot, Issue 48, 2014
2013
Denegri, Dobrila and Patrizia Sandretto Re Rebaudengo, The Dreams of Reason. Highlights of the Sandretto Re Rebaudengo Collection, published by Centre of Contemporary Art, Torun, Poland/Sandretto Re Rebaudengo Collection, Torino, Italy, 2013
Holzwarth, Hans - Werner, ed., Art Now 4, published by Taschen, Köln, Germany, 2013, pp. 20 – 23
Balsom, Erika, Film Culture in Transition: Exhibiting Cinema in Contemporary Art, published by Amsterdam University Press, Amsterdam, The Netherlands, 2013
Guiot, Nathalie. Artists and Collectors, published by Blackjack éditions, France, 2013, pp. 128 – 151 [ill.]
Arriola, Magalí, Juan Gaitán, Valeria Luiselli, and Ignacio Perales, El Cazador y La Fabrica, published by Fundacion/Coleccion Jumex, Ecatepec, Mexico, 2013
2012
Maggia, Filippo and Patrizia Sandretto Re Rebaudengo, The Collector’s Choice: Opere dalla Collezione Sandretto Re Rebaudengo, published by Skira, Milan, Italy, 2012
Bonami, Francesco, Think Twice: Twenty Years of Contemporary Art from Collection Sandretto Re Rebaudengo, published by Whitechapel Gallery, London, UK, 2012
Liska, Sylvia, The Secession Talks: Exhibitions in Conversation 1998-2010, published by Verlag der Bucchlandlung Walther Konig, Koln, Germany, 2012, pp. 164 – 173 [ill.]
2011
Sleepwalkers Box, published by DFA Records and Princeton Architectural Press, 2011
Birnbaum, Daniel, Connie Butler, Suzanne Cotter, Bice Curiger, Okwui Enwezor, Massimiliano Gioni, Bob Nickas, and Hans Ulrich Obrist, Defining Contemporary Art: 25 Years in 200 Pivotal Artworks, published by Phaidon Press Limited, London, 2011, pp. 240 - 241
2010
Art Moves, published on the occasion of the exhibition “Art Moves Festival,” Torun, Poland, 2010
Luckow, Dirk, ed., I want to see how you see: Julia Stoschek Collection: Film, Installation, Fotografie, published by Snoeck Verlag, Cologne, Germany, 2010
Curious? Art in the 21st Century from Private Collections, published by Art and Exhibition Hall of the Federal Republic of Germany, Bonn, Germany, 2010
2009
Thyssen - Bornemisza Art Contemporary: The Collection Book, published by Verlag der Bucchlandlung Walther Konig, Koln, Germnay, 2009
Zwischen Zonen: La Colección Jumex, published by La Colección Jumex, Mexico City, Mexico, and Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria, 2009
Amor, Mónica, Carlos Basualdo, Sabina Berman, Elmer Mendoza, and Antoine de Galbert, Mexico: Expected / Unexpected - collection Isabel and Agustín coppel, published by Colección Isabel y Agustín Coppel, Mexico City, Mexico, 2009, p. 32 [ill.]
2008
Holwarth, Hans Werner. Art Now: Volume 3, published by Taschen, Cologne, Germany, 2008, pp. 24 – 27 [ill.]
Heiser, Jorg, All Of A Sudden: Things That Matter In Contemporary Art, published by Sternberg Press. New York, NY, 2008, pp. 11, 216, 218, 222, 228, 230, 231
Lissoni, Andrea, “Video and Contemporary Art. History of a Not Too Invisible Ghost”, Electronic Lounge, Carlo Cambi Editore, Poggibonsi, Italy, 2008, pp. 24 - 25
Ruf, Beatrix, ed. Blasted Allegories: Works from the Ringier Collection, publishedby JRP|Ringier, Zurich, Switzerland, 2008, pp. 68 – 69, 71
Fogle, Douglas, ed. Life on Mars: 55th Carnegie International, published by Carnegie Museum of Art, Pittsburgh, 2008, pp. 66 – 71
Brougher, Kerry. The Cinema Effect: Illusion, Reality, and the Moving Image, published by Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington D.C., 2008, pp. 34
Red Eye: LA Artists from the Rubell Family Collection, published by RFC, Miami, FL, 2008
50 Years of Modern Art, stamp catalogue, published by Louisiana – Museum of Modern Arts, 2008
Amor, Monica and Carlos Basualdo, Mexico: Expected/Unexpected, published by Museum of Latin American Art, Long Beach, CA, 2008
Stoschek, Julia, Julia Stoschek Collection Number One: Destroy, She Said, Published by Hatje Cantz Verlag, Ostfildern, Germany, 2008
2007
MOMA: Highlights Since 1980, published by the Museum of Modern Art, New York, NY, 2007, pp. 214
Pasternak, Anne, Creative Time: The Book, published by Princeton Architectural Press, New York, NY, 2007, pp. 187
Jones, Caroline A., Sounding The Subject: Video Trajectories, published by MIT List Visual Art Center, MA, 2007, pp. 66 – 67
Works In Progress: Herzog & de Meuron’s Miami Art Museum, published by Miami Art Museum, Miami, FL, 2007, pp. 48
Volume 13. Published by Idea Books, Amsterdam, The Netherlands, 2007, pp. 148 – 151
Garbagna, Cristina, ed. Silence. Listen to the Show, published by Sandretto Foundation, Torino, Italy, 2007
Fokidis, Marina, Her(his)tory, published by Athens Museum of Cycladic Art, Athens, Greece, 2007
Birnbaum, Daniel, Chronology: 2nd Ed., published by Lukas & Sternberg, New York, NY, 2007
Doctorow, Cory, Rachael Thomas and Kurt Vonnegut, All Hawaii Entrées: Lunar Reggae, exhibition catalogue, published by Charta/Irish Museum of Modern Art, Dublin, Ireland, February 1, 2007
Marclay, Christian, ed., Ensemble, published by Institute of Contemporary Art, University of Pennsylvania, PA, 2007
Brown, Elizabeth A., and Eric Fredericksen, Mouth Open, Teeth Showing: works from the True Collection, published by Henry Art Gallery, Seattle, WA, 2007
2006
Visionaire 48 Magic, Van Cleef & Arpels, published by Visionaire Publishing, New York, NY, 2006
Earle, Edward, Christopher Phillips, Carol Squiers and Brian Wallis, eds., Ecotopia: The second ICP Triennial of Photography and Video, published, by Steidl, Germany, 2006
2005
Bits & Pieces Put Together to Present a Samblance of a Whole, published by Walker Art Center, Minneapolis, MN, 2005, pp. 96
Art Basel Conversations, published by Art Basel, Basel, Switzerland, and Hatje Cantz, Ostfildern, Germany, 2005, pp. 56
Press Play: Contemporary Artists in Conversation, publishesd by Phaidon, New York, NY, 2005, pp. 14 – 23, 685
Grosenick, Uta, Art: Now Vol. 2, published by Taschen, Cologne, Germany, 2005, pp. 20 – 23
Beyond Cinema: The Art of Projection, Nationalgalerie Staatliche Museen zu Berlin, Berlin, Germany, 2005
Bonami, Francesco, Carol Becker, Alain de Boton, Lucy Lippard, Susan Sontag, and Nancy Spector, Universal Experience: Art, Life, and the Tourist’s Eye, published by Museum of Contemporary Art, Chicago, IL, and D.A.P., New York, NY, 2005, pp. 128 – 129
Encounters in the Twenty - Frist Century: Polyphony - Emerging Resonances, 21st Century Museum of Contemporary Art Kanazawa, Danko - sha, Kyoto/Toyko, Japan, 2005
Bonami, Francesco, Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo, published by Skira, Milan, Italy, 2005, pp. 258 – 9, 261, 392
2004
Couturier, Elisabeth, L’Art Contemporain: Mode d’Emploi, published by Editions Filipacchi, Levallois-Perret, France, 2004, pp. 184 - 185
Stazione Utopia Revisited, Sensi Contemporanei in Campania: dalla 50esima Esposizione Internationale d’Arte della Biennale di Venezia, Venice, Italy, 2004, pp. 22
Chillida, Alicia, Landscape and Memory, published by La Casa Encendida, Madrid, Spain, 2004, pp. 248 – 251
Hollein, Max, Hans Ulrich Obrist, and Martina Weinhart, eds., 3’, published by DuMont Verlag, Cologne, Germany, 2004
Goetz, Ingvild and Stephan Urbaschek, eds., Fast Forward, published by Hatje Cantz Verlag, Ostfildern, Germany, 2004
Martin, Patricia, ed., Eden, Published by La Collecion Jumex, Mexico City, Mexico, 2004
2003
De Oliveira, Nicolas, Nicola Oxley and Michael Petry, Installations II l’empire des sens, published by Thames & Hudson, Paris, France, 2003, pp. 68, 77
Dougherty, Linda Johnson, and Huston Paschal, Defying Gravity: Contemporary Art and Flight, published by Prestel Publishing, New York, NY, 2003, pp. 66 - 67
Schwerfel, Heinz Petter, Kino und Kunst, published by Dumont Literatur U. Kunst, Germany, 2003
Julin, Richard, Spiritus: Volume 37 of Magasin 3 Stockholm Konsthall, published by Magasin 3 Stockholm Konsthall, Stockholm, Sweden, 2003
Spector, Nancy, James Rondeau and Michael Rush, Imperfect Innocence: The Debra and Dennis Scholl Collection, published by Palm Beach Institute of Contemporary Art, Lake Worth, FL, 2003
Anne, Bobzin, Annelie Lütgens and Anja Westermann, eds., Painting Pictures: Painting and Media in the Digital Age, published by Kunstmuseum Wolfsburg, Germany, 2003
2002
Screen Memories, Contemporary Art Center, Art Tower Mito, Japan, 2002
Bracewell, Michael, Cedar Lewisohn and Neil Tennant, Remix: Contemporary Art and Pop, published by Tate, London, UK, 2002
Grosenick, Uta & Byrhard Riemschneifer, eds. Art Now, published by Taschen, Cologne, Germany, 2002, pp. 16
2001
Heinrich, Christoph and Griselda Pollock, Hypermental Rampant Reality 1950 - 2000 from Salvador Dali to Jeff Koons, published by Kunsthaus Zurich, Zurich, Switzerland, 2001, pp. 124, 141
Anton, Saul, Gianni Romano, Valentina Tanni and Elena Volpato, Media Connection, published by Libri Scheiwiller, Milan, Italy, 2001
Deitch, Jeffrey, Form Follows Fiction, published by Charta, Milan, Italy, 2001
Jaukkuri, Maaretta, Nikos Papastergiadis and Irit Rogoff, ARS 01: Unfolding Perspectives, published by Museum of Contemporary Art Kiasma, Helsinki, Finland, 2001
Wiehager, Renate, ed., Moving Pictures: 5th International Photo Triennial, published by Hatje Cantz Verlag, Ostfildern, Germany, 2001
2000
Fresh Cream, Contemporary Art in Culture, published by Phaidon, London, pp. 58 - 63
Butler, Cornelia, Francis Pound and Choy Lee Wang, Flight Patterns, published by the Museum of Contemporary Art, Los Angeles, CA, 2000
The 2000 Whitney Biennial Exhibition, published by the Whitney Museum of Art, New York, NY, 2000 [ill., cover]
Vergne, Philippe, Let’s Entertain: Life’s Guilty Pleasures, published by the Walker Art Center, Minneapolis, MN, 2000, pp. 210 – 211
Yokobosky, Matthew, Speed of Vision: On the Construction and Perception of Time in Video Art, published by the Aldrich Museum of Contemporary Art, Ridgefield, CT, 2000, pp. 26
Crossing Boundaries 2000, The Danish Film Institute, Copenhagen, Denmark, pp. 54
Cascella, Daniela and Christiana Perrella, Video Vibe: Arte, Musica e Video in Giran Bretagna, published by Castelvecchi arte, Rome, Italy, 2000, pp. 64
Waterlow, Nick, ed., Biennale of Sydney 2000, published by Biennale of Sydney, Sydney, Australia, 2000, pp. 32 - 33
1999
Frohne, Ursula, ed., Video Cult/ures, published by Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany, 1999
Concentrations 33: Doug Aitken, Diamond Sea, published by the Dallas Museum of Art, 1999, Dallas, TX
“EXTRAetORDINAIRE, Le Printemps De Cahor, St - Cloud, France, 1999
“Dapertutto”, La Biennale di Venezia: 48a Esposizione Internazionale d’Arte, Fogle, Douglas, Marsilio, Venice, 1999, pp. 286 – 289
1998
Bonami, Francesco and Douglas Fogle, Unfinished History, published by the Walker Art Center, Minneapolis, MN, 1998
I Love New York - - Crossover of Contemporary Art, Museum Ludwig, Cologne, Germany, 1998
Bonami, Francesco, ed., L.A. Times: Art e da Los Angeles nella Collezione Re Rebaudengo Sandretto, published by Fondazione Sandretto Re Rebaudengo, Turin, Italy, 1998 [ill.]
Dreams, Sandretto Re Rebaudengo Foundation for Art, Italy, 1998
1997
Neri, Louise and Lisa Phillips, The 1997 Whitney Biennial, published by The Whitney Museum of American Art, New York, NY, 1997
29' - 0"/East, Kunsthalle New York, New York, NY, 1997
One Minute Scenario, curated by Jerome Sans, Le Printemps de Cahors, Saint - Cloud, France, 1997
22 International Ljubljana Biennal of Graphic Art, Cankarjevdom - Cultural and Congress Centre, the Modern Gallery and the Tivoli Gallery, Ljubljana, 1997
film+arc.graz, Third International Biennale, Graz, Austria, 1997
Ballard, J.G. and Paul Virilio, Speed, published by Photographer’s Gallery, London, UK, 1997
1996
Bonami, Francesco, Campo 6: The Spiral Village, curated by Francesco Bonami, publishesd by Fondazione Sandretto Re Rebaudengo per l’Arte, Torino, Italy, 1996
Dector, Joshua, ed. A/drift, Center for Curatorial Studies Museum, Bard College, publishsed by Annandale - on - Hudson, NY, 1996
1995
Aitken, Doug, ed. La Belle et la Bete - Beauty and the Beast, published by Musee d'Art Moderne de la Ville de Paris, France, 1995, pp. 36 - 37, 114 - 115
Di Marino, Bruno and Giovanna Trento. L'Immagine E L'Oggetto: Arte E Video Negli Stati Uniti (The Image and The Object: Art and Video in the United States), published by Museo Laboratorio Di Arte Contemporanea, Universita degli Studi di Roma La Sapienza, Rome, Italy, 1995
1994
Life Size, Museo d'Arte Contemporanea, published by Centro per l'Arte Contemporanea Luigi Pecci, Prato, Italy, 1994
Kontova, Helena, Audience 0.01, published by Giancarlo Politi Editore, Trevi, Italy, 1994
1993
Brown, Gavin and Gareth Jones, Okay Behaviour, published by 303 Gallery, New York, NY, 1994
Gaskin, Sam. "Doug Aitken Feature Film ‘Lightscape’ to Debut in November.” Ocula (September 2, 2024)
2022
Delevan, Tom. “Doug Aitken Has an Eye for Dystopia.” The New York Times Style Magazine (May 17, 2022)
Stoilas, Helen. “Doug Aitken ventures into virtual reality.” The Art Newspaper Frieze Los Angeles Fair Edition (February 17–18, 2022) p. 2 [ill.]
Escalante-de Mattei, Shanti. “Doug Aitken Launches Ambitious VR Exhibition Spread Across Four Galleries.” ARTnews (February 15, 2022) [ill.] [online]
2021
Maher, Alannah. “Doug Aitken: New Era.” TimeOut Sydney (December 14, 2021) [ill.] [online]
McDonald, John. “Californian artist Doug Aitken blends natural and digital worlds in Sydney show.” The Sydney Morning Herald (November 26, 2021) [ill.] [online]
Fairley, Gina. “Exhibition Review: Doug Aitken – New Era.” ArtsHub (November 25, 2021) [ill.] [online]
Edmunds, Ande. "Doug Aitken’s Green Lens Reflects a Hopeful Future.” Cultured (Sept/Oct/Nov 2021) pp. 88 – 89 [ill.]
Raudenbush, Rachel. “‘My Interest Is Seeing Art Occupy New Spaces’: Doug Aitken on His First Foray Into Fashion, an Installation for Saint Laurent.” Artnet News (July 19, 2021) [ill.] [online]
"Flags And Debris.” Autre Issue 12: The Doppelgänger (Spring 2021) pp.126 – 141 [ill.]
Haddad, Natalie. “Doug Aitken’s Cities of Loss.” Hyperallergic (March 12, 2021) [ill.] [online]
Barrie, Lita. “Doug Aitken’s Pandemic Metropolis at Regen Projects.” Whitehot Magazine (March 2021) [ill.] [online]
Perel, Larry. “How artist Doug Aitken interprets the pandemic in his new exhibit ‘Flags and Debris.’” KCRW (March 8, 2021) [ill.] [online]
Sweetwood, Cole. “Pick of the Week: Doug Aitken.” Artillery Magazine (February 24, 2021) [ill.] [online]
Zellen, Jody. “Doug Aitken: ‘Flags and Debris.’” ArtNowLA, (February 22, 2021) [ill.] [online]
Barandy, Kat. “Interview: Doug Aitken explores textiles + choreography in desolate LA with 'Flags and Debris.'” designboom (February 8, 2021) [ill.] [online]
Vankin, Deborah. “Pandemic City: Doug Aitken, L.A. Dance Project and a COVID-19 ‘art encounter,’” Los Angeles Times (Feburary 2, 2021) [ill.] [online]
Riefe, Jordan. “‘Resist Algorithms’: Doug Aitken’s New Art.” The Hollywood Reporter (January 20, 2021) p. 17 [ill.]
Wouk Almino, Elisa. “Your Concise Los Angeles Art Guide for January 2021.” Hyperallergic (January 13, 2021) [ill.] [online]
Nys Dambrot, Shana. “Arts Calendar (Extra Screentime): January 14–18.” LA Weekly (January 13, 2021) [ill.] [online]
2020
“Bright Air, Brilliant Fire: Doug Aitken and Catherine Opie in Conversation with Dr. Robert M. Bilder.” Autre Magazine Issue 10: The Edge of Chaos (Spring/Summer 2020) pp. 188–201 [ill.]
Azzarello, Nina. “Doug Aitken Listens to the Sound of the Earth in a Video Journey to 'Sonic Pavilion' in Brazil.” designboom (May 4, 2020) [ill.] [online]
Azzarello, Nina. “Doug Aitken + designboom Embark on an Intimate Video Journey through the Creative Process.” designboom (April 20, 2020) [ill.] [online]
Azzarello, Nina. “doug aitken shares a message of hope during coronavirus lockdown.” designboom (April 14, 2020) [ill.] [online]
2019
Ritz, Jessica. “Studio Shamshiri Designs Jewelry Shop, BZippy Hosts Sales, and More News in Los Angeles.” Architectural Digest (November 20, 2019) [online]
Ginsberg, Merle. “Artist Doug Aitken Wants to Make Something That Has Never Been Made Before.” Los Angeles Magazine (November 15, 2019) [ill.] [online]
Nys Dambrot, Shana. “Doug Aitken: Architecture of the Earth.” LA Weekly (November 15, 2019) [ill.] [online]
Zahn, Olivier. “Doug Aitken: New Horizon.” Purple Magazine Number 32, The Cosmos Issue (Fall/Winter 2019/2020) pp. 440 – 447 [ill.]
“On the road.” Wallpaper (November 2019) pp. 134 – 151 [ill., cover]
Drohojowska-Philp, Hunter. “American Hero.” Wallpaper (November 2019) pp. 127 – 132 [ill., cover]
“ArtCenter College of Design Honors Doug Aitken, Sterling Ruby, and Others with Alumni Awards.” Artforum (October 10, 2019) [ill.] [online]
Keeling, Brock. “A massive wind chime installation comes to Sonoma.” Curbed San Francisco (September 12, 2019) [ill.] [online]
Riefe, Jordan. “Why Artist Doug Aitken Is Upending World Views and Sparking UFO Sightings This Summer.” Observer (June 26, 2019) [ill.] [online]
Roffino, Sara. “Floating into the Future with Doug Aitken.” Cultured (July 24, 2019) [ill.] [online]
Mendelsohn, Meredeith. “Doug Aitken’s latest work is a 100-ft-tall mirrored hot air balloon.” CNN (July 21, 2019) [ill.] [online]
Gibson, Eleanor. “Doug Aitken’s mirrored balloon New Horizon flies over Massachusetts.” Dezeen (July 18, 2019) [ill.] [online]
Bollen, Christopher. “Doug Aitken’s Mesmeric, Metallic, Hot-Air Balloon Odyssey.” Interview (July 17, 2019) [ill.] [online]
Gorton, Thomas. “A Future World.” Dazed (July 17, 2019) [ill.] [online]
Fischer, Joshua. “Doug Aitken takes the scenic route acrsoss Massachusetts with mirrored hot air balloon.” Wallpaper (July 17, 2019) [ill.] [online]
Sheets, Hilarie. “Fluxus in the air: Doug Aitken’s hot air balloon sails above Massachusetts.” The Art Newspaper (May 21, 2019) [ill.] [online]
Whyte, Murray. “Artist Doug Aitken takes to the air, in a reflective mood.” The Boston Globe (May 16, 2019) [ill.] [online]
Bilis, Madeline. “A Giant Mirrored Balloon Will Float Across Massachusetts This Summer.” Travel + Leisure (May 7, 2019) [ill.] [online]
Shang, Danielle. “Review: Doug Aitken at Faurschou Foundation Beijing.” Ran Dian (May 2, 2019) [ill.] [online]
Mason, Amelia. “A Giant, Mirrored Hot Air Balloon Is Coming To Massachusetts This Summer.” WBUR (April 29, 2019) [ill.] [online]
Angeleti, Gabriella. “Touch the sky: Doug Aitken’s hot air balloon work to lift off in Massachusetts.” The Art Newspaper (April 4, 2019) [ill.] [online]
Shaw, Anny. “Frieze embraces California cool.” The Art Newspaper Frieze Los Angeles Issue 2 (February 16 – 17, 2019) [cover]
Stoilas, Helen. “Doug Aitken’s ghostly figures come home.” The Art Newspaper Frieze Los Angeles Issue 1 (February 14 – 15, 2019) [ill., cover]
Zara, Par Janelle. “Frieze LA: Vogue’s Essential Guide.” Vogue (February 13, 2019) [ill.] [online]
Trembley, Nicolas. “Diary: Such Great Heights.” Artforum (February 13, 2019) [ill.] [online]
Riefe, Jordan. “L.A. Artist Debuts New Installation ‘Don’t Forget to Breathe.’” The Hollywood Reporter (February 7, 2019) [ill.] [online]
Owen, Erika. “This Mirror House in the Swiss Alps Is Almost Too Beautiful to Believe.” Departures (February 6, 2019) [ill.] [online]
“The Best Art and Design Fairs and Biennials Around the World This February.” Galerie (February 1, 2019) [ill.] [online]
Pownall, Augusta. “Doug Aitken’s mirrored Mirage house installed in Swiss alps.” Dezeen (February 1, 2019) [ill.] [online]
Andrews, Zach. “Doug Aitken put a mirage on a snowy mountain landscape.” Designboom (January 31, 2019) [ill.] [online]2018
Oriaku, Ali. “Doug Aitken creates a ‘Mirage’ in a historic Detroit bank.” The Architect’s Newspaper (September 13, 2018) [ill.] [online]
Russeth, Andrew. “Wish You Were Here: Spring Shows in New York, from Doug Aitken to Quay Quinn Wolf.” ARTnews (June 18, 2018) [ill.] [online]
Pes, Javier. “What Do Gandhi and Your Smartphone Have in Common?” Artnet News (June 6, 2018) [ill.] [online]
Saltz, Jerry. “Three Sentence Reviews.” Vulture (May 31, 2018) [ill.] [online]
“Doug Aitken.” The New Yorker (May 28, 2018) p. 8
Scott, Andrea K. “Cellular Level.” The New Yorker (May 14, 2018) p. 20 [ill.]Jael, Ilana. “Exhibition Review: A New Era by Doug Aitken.” Musée (April 19, 2018) [ill.] [online]
Valdez, Sarah. “Artist Doug Aitken Says Life Is a Film and We’re All Directing.” Garage (April 17, 2018) [ill.] [online]
Sims, Jamie. “6 Things T Editors Like Right Now.” T Magazine (April 6, 2018) [ill.] [online]
Andrews, Zach. “Doug Aitken drops the bass on cell phone creator, Martin Cooper.” (April 4, 2018) Designboom [ill.] [online]Abrams, Loney. “Doug Aitken on Making ‘Underwater Pavilions’ For Weightless Audiences.” Artspace (March 23, 2018) [ill.] [online]
Rubin, David S. “Doug Aitken: Changing How We Relate to Art and the Environment.” KCET (March 20, 2018) [ill.] [online]Akel, Joseph. “The Doors of Perception.” L’Officiel Hommes (March/April 2018) pp. 172 – 177
Sans, Jérôme. “Doug Aitken.” Purple Magazine Purple 76 Index, Issue 29 (Spring/Summer 2018)Brady, Anna. “Nomad St. Moritz takes art and design to the Alps.” The Art Newspaper (February 7, 2018) [ill.] [online]
“Doug Aitken Receives Inaugural $100,000 Frontier Art Prize.” Artforum (October 18, 2017) [ill.] [online]
Miller, Leigh Anne. “Artworld.” Art in America (December 2017) p. 112
Pes, Javier. “Maldives-bound: Aitken's pavilions.” The Art Newspaper (June 14, 2017) p.1 [ill.]
“Spieglein, Spieglein in der Wüste.” art Das Kunstmagazin (April 2017) pp. 8 – 9 [ill.]
Akel, Joseph. “Welcome Home.” V Man (Spring/Summer 2017) pp. 62 – 63 [ill.]
Donohoo, Gus. “Doug Aitken: All at Sea and Nothing to Where.” Flaunt (Spring 2017) pp. 112 – 117 [ill.]
Horst, Aaron. “Doug Aitken at The Geffen Contemporary at MOCA.” Contemporary Art Review Los Angeles (Carla) (January 26, 2017) [ill.] [online]
Wagley, Catherine. “Five Artsy Things To Do This Week.” L.A. Weekly (May 30 – June 5, 2014) pp. 30 [ill.]
Cooper, Ashton, “Art Reads: ‘Doug Aitken 100 YRS.’” Blouin ArtInfo.com (May 22, 2014) [online]
Cooper, Ashton. “Game - Changing Art and Tech at Sundance’s New Frontier.” Blouin ArtInfo.com (February 1, 2014) [ill.] [online]
“To Infinity and Beyond.” C Magazine (Spring 2014) pp. 92 - 95 [ill.]
Ashlock, Jesse. “Q. and A. | Doug Aitken Unveils the Source, a Collective Meditation on the Nature of Creativity.” The New York Times Magazine (January 16, 2014) [ill.] [online]
2013
Stoilas, Helen, "The Artist Interview: Doug Aitken," Art Newspaper, No. 252 (December 2013) pp. 46, 47 [ill.]
Vankin, Deborah. "'Station to Station' Train At the End of the Line But Fired With Purpose." The Los Angeles Times (October 5, 2013) [ill.] [online]
Kuipers, Dean. "Doug Aitken's Train of Flame." Huffington Post (October 3, 2013) [ill.] [online]
Coggins, David. "Station to Station: Taking Hold in Barstow, CA." Esquire.com (October 2, 2013) [ill.] [online]
Zemler, Emily. "'Two Turntables and a UFO': Beck, Cat Power Highlight 'Station to Station' Train Tour." The Hollywood Reporter (October 2, 2013) [ill.] [online]
Frere - Jones, Sasha. "Station to Station." New Yorker (October 2, 2013) [ill.] [online]
Lewis, Jim. “The Station Agent.” W Magazine (October 2013) pp. 115, 118 [ill.]
Parsons, Paige. "Review & Photos: Station to Station @ 16th Street Station, 9/28/13." Thebaybridge.com (September 30, 2013) [ill.] [online]
Williams, Maxwell. "Beck Headlines Station to Station Railway Car Art Exhibit in L.A.." The Hollywood Reporter (September 28, 2013)
Ryzik, Melena. "A Rolling Train Exhibition Comes Toward Its Last Stop." The New York Times (September 28, 2013)
Roberts, Randall. "Review: Beck Does the Robot, Plus Congos, No Age at Aitken's "Station to Station" The Los Angeles Times (September 27, 2013) [ill.] [online]
Vankin, Deborah. "Doug Aitken's Art Train – With Beck and Others – Stops in Barstow." The Los Angeles Times (September 25, 2013) [ill.] [online]
Vankin, Deborah. "All Aboard Doug Aitken's Art Train." The Los Angeles Times (September 25, 2013) [ill.] [online]
Volk, Gregory. "Back on the Train: Doug Aitken's 'Station to Station.'" Art in America (September 20, 2013)
Boilen, Bob. "Thurston Moore and Doug Aitken Talk Art, Music, and 'Station to Station." NPR Music (September 18, 2013)
Steven, Rachael. "Going Forth: Levi's & Doug Aitken's Station to Station." Creative Review (September 16, 2013)
Wilson, Michael. "Nomad's Land." Artforum (September 11, 2013)
Pearson, Laura. "Thurston Moore, Mavis Staples and More Play Union Station on the Station to Station Tour." Time Out (September 11, 2013)
Keh, Pei - Ru. "Doug Aitken's Station to Station project travels across the US." Wallpaper* (September 10, 2013)
Boilen, Bob. "All Aboard A Magical Mystery Train." NPR All Songs Considered (September 8, 2013)
Schmelzer, Paul. "Station to Station: Doug Aitken's Polyphonic Culture Train." Walker Art Center Magazine (September 7, 2013)
Neilson, Laura. "A Mobile Platform for Art: Doug Aitken's Nomadic Group Exhibition, Opens Friday in Brooklyn." The Wall Street Journal (September 5, 2013)
Lewis, Jim. "Doug Aitken: The Station to Station Agent." W Magazine (September 5, 2013)
Besonen, Julie. "Chef Leif Hedendal on Cross - Country Train Cooking and Ed Ruscha's Cactus Omelet." Paper Mag (September 5, 2013)
Thomas, Mary. "Art - Filled 'Nomadic Happening' Rolling into Town." Pittsburgh - Post Gazette (September 4, 2013)
Shaw, Kurt. "'Station to Station' Mobile Art Event Rolling Into Town." TribTotalMedia (September 4, 2013)
Wilkinson, Isabel. "Art's Big Road Trip." Newsweek/The Daily Beast (August 30, 2013)
Zimmer, Lori. "Doug Aitken: All Aboard the Art Train." MutualArt.com (August 28, 2013)
"Doug Aitken's 'Station to Station': From the Atlantic to the Pacific." Juxtapoz (August 27, 2013)
Reed, Kayla. "Beck, Ariel Pink, and Giorgio Moroder Creating New Songs for a Fancy Train Tour." A.V. Club (August 23, 2013)
Pelly, Jenn. "Beck, Giorgio Moroder, Ariel Pink Creeating New Works for Doug Aitken's Station to Station Tour." Pitchfork (August 23, 2013)
Taylor, Rebecca. "Doug Aitken's Station to Station: A Nomadic Happening." Inside/Out (August 20, 2013)
Campbell - Dollaghan, Kelsey. "This Glowing Train is Bringing Art, Music, and Yurts to Middle America." Gizmodo India (August 20, 2013) [ill.] [online]
McGovan, Kylie. "Beck, Cat Power, and Giorgio Moroder Ride the Rails for 'Station to Station' Train Tour." SPIN (August 8, 2013)
"Doug Aitken's Train: 'Station to Station' is a Great Big Artsy Road Trip." Huffington Post (June 21, 2013)
"Doug Aitken Presents 'Station to Station: A Nomadic Happening'." BroadwayWorld.com (June 21, 2013)
Moore, Booth. "Levi's, Doug Aitken Partner On Major Public Art Initiative." The Los Angeles Times (June 20, 2013)
Watercutter, Angela. "Station to Station: Artist Transforms Train Into Experimental Cross - Country Studio." Wired Online (June 20, 2013)
Finkel, Jori. "Doug Aitken's 'Nomadic Happening' Calls On Artists To Hop The Train." The Los Angeles Times (June 19, 2013)
Richard, Frances. "Doug Aitken: 303 Gallery." Artforum (May 2013) pp. 325 – 326
Morris, Susan. "Doug Aitken Celebrates Destruction of New York's 303 Gallery." A/N Blog (April 8, 201)
Jovanovic, Rosalia. "Doug Aitken Gives 303 Gallery a Poetic Send - On—By Destorying it." Blouin ArtInfo (April 5, 2013)
Boucher, Brian. "Doug Aitken Demolishes 303 Gallery." Art in America (April 2, 2013)
Estefan, Kareem. "Now Showing: Doug Aitken." T Magazine (February 5, 2013)
Palmerton, Elwyn, "Doug Aitken: 303 Gallery," Artillery Magazine Vol 7 (Issue 5) pp. 52 – 3
Fernandes, Annabel. "Doug Aitken." Purple Fashion Issue 19 (S/S 2013) pp. 75 – 76
Chai, Barbara. "2014 Sundance to Feature Doug Aitken's 'The Source'." The Wall Street Journal (December 5, 2013) [ill.] [online]
Erickson, Steve. "Doug Aitken is Redefining How We Experience Art." Smithsonian.com (December 2013) [ill.] [online]
2012
Rahma, Khazam. “Review: LUMA Foundation.” Artforum (November 7, 2012)
Gygax, Raphael. “Doug Aitken: Eva Presenhuber – Zurich.” Flash Art (Issue 286, October 2012) pp. 118
Herbert, Martin. “Now See This: Doug Aitken.” ArtReview Issue 62 (October 2012) pp. 28
Yablonsky, Linda. “Sound Garden.” The New York Times Style Magazine (April 1, 2012) pp. 78 – 85 [ill., cover]
2011
Rappolt, Mark. "Other Things to do in London During the Art Fair: Doug Aitken." ArtReview Issue 53 (October 2011) pp. 104
Spears, Dorothy. “Can You Hear Me Now?” The New York Times (July 24, 2011) pp. AR19
Berandini, Andrew. “Doug Aitken: Infinite Regress.” Art in America (June 7, 2011)
Zhong, Fan. “When: Doug Aitken.” W Magazine (June 2011) pp. 79
Zellen, Jody. “Doug Aitken.” Art Ltd (March/ April 2011) pp. 54 - 56
Drohojowska - Philp, Hunter. “Doug Aitken: Museum of Contemporary
2010
Frank, Peter. “Haiku Reviews: Los Angeles.” The Huffington Post (December 10, 2010)
Browne, Alix. “What Happened Was… How Doug Aitken Stole the Show.” T Magazine (December 7, 2010)
Moore, Catlin. ‘Doug Aitken at Regen Projects.” Daily Serving (November 29, 2010)
Knight, Christopher. “Art Review: Doug Aitken at Regen Projects.” The Los Angeles Times (November 26, 2010) pp. D23
Yablonksy, Linda. “How the West Was Won.” Artforum.com (November 19, 2010)
Hodge, Brooke. “Seeing Things: Doug Aitken’s “House.” T Magazine (November 11, 2010)
Knight, Christopher. “An L.A. Assembly.” The Los Angeles Times (Monday November 1, 2010) pp. D1 & D6
Deitch, Jeffrey. “Interview with Doug Aitken” MOCA: The Contemporary (Fall/Winter 2010) pp. 3
“Weltempfänger.” Monopol (July 2010) pp. 32 - 46 [ill.]
Waters, Nancy. “Journey to the Centre of the Earth.” AnAnother Magazine (Spring/Summer, Issue 18) pp. 329
Israel, Alex. “Doug Aitken.” Purple Fashion Magazine (Spring/Summer, Volume III, Issue 13) pp. 157 – 166
Moreno, Shonquis. “Listen to Doug Aitken.” Mark No. 25 (April/May 2010)
Row, D.K.. “Beauty Amid the Upheaval.” The Oregonian (February 22, 2010) pp. B4 - B5
Israel, Alex. "Myths of Decline." Artforum (January 2010) pp. 70 [ill.]
2009
Trebay, Guy. “Planet Art.” The New York Times: Travel Magazine (Fall 2009)
Finkel, Jori. “Remastered.” Modern Painters (October 2009) pp. 38 - 40
Finkel, Jori. “Doug Aitken: The video artist uses the power of sound - and silence - to deine his sculptural environments.” Art+Auction (October 2009) pp. 48 - 54
Higgie, Jennifer. “Editor’s Blog, Doug Aitken in Rome.” Frieze (October 29, 2009)
Review Best of 2009. “The Artists’ Artists.” Artforum International (December, #2)
Review Best of 2009. “The Artist’s Artists.” Artforum International (December, #4)
Lin, Kim. “Review: Doug Aitken.” ARTnews (January 2009) pp. 110
Wiehager, Renate. “Blitzen: Mixed Media, Sculptures, Commisioned Works.”Germany: Daimler Art Collection (2009) pp. 204 - 205
Adbusters: Pop Nihilism. (Jul/Aug, #84, vol. 17, no. 4) pp. 35, 44, 39
Aitken, Doug, Doug Aitken Workshop,” Domus issue 922 (February 2009) pp. 48 - 53
“Enel Contemporanea 2009? Per Roma Bonami sceglie Doug Aitken.” Exibart.onpaper (May 2009) pp. 26
Barrila, Silvia Anna. “Enel come Unilever?” Plus – II Sole 24 Ore (June 6, 2009) pp. 23
“New Energy.” L’Uomo Vogue (June 2009) pp. 106 - 109
Lissoni, Andrea. “Tutti I sogni di Doug.” Rolling Stone (October 2009) pp. 46
Cervio, Alessia. “Quando l’energia e creative.” Inside Art (October 2009) pp. 66
“Nuova installzion per Enel Contemporanea.” In Town (October 2009) pp. 98
“Doug Aitken, Isola TIberina.” Arte (October 2009) pp. 161
Rus, Mayer, ed. “Rogue’s Gallery.” Los Angeles Times Magazine (September 6, 2009) pp. 32
Wagley, Catherine. “Doug Aitken: Migration.” DailyServing.com (September 21, 2009)
Harris, Gareth. “Ed Ruscha stars in Doug Aitken film.” The Art Newspaper (September 22, 2009)
Pappalardo, Dario. “Frontier una luce in riva al Tevere.” la Repubblica (nazionale) (October 19, 2009) pp. 41
Di Capua, Marco. “Stati di allucinazione nel cuore di Roma.” Panorama (October 16, 2009) pp. 184
Polveroni, Adriana. “Don Guijote postmoderno.” D La Repubblicaa delle Donne (October 10) pp. 122 - 128
“Enel Contemporanea.” Kult (October 2009) pp. 26
“Energy Room.” Il Fotografo (October 2009) pp. 44
“Mammi, Alessandra, “il pifferaio Macro.” L’Espresso (October 9, 2009) pp. 93 - 94
“Doug Aitken in Rome.” Domus (October 2009) pp. 162
Willis, Hollly. “Doug Aitken’s Migration.” Blur + Sharpen (September 13, 2009)
Pagel, David. “Lovely without Losing the Depth.” The Los Angeles Times (September 25, 2009) p. D23
Myers, Holly. “The Perpetual Paradoxes of Life.” The Los Angeles Times (September 11, 2009) p. D20 [ill.]
Kessler, Sarah. “Confusion is health.” Whitewall (Summer 2009, Issue 14) pp. 108 – 116 [ill.]
Levin, Kim. “Review: Doug Aitken.” ARTnews (January 2009) pp. 110
“Kim - Cohen, Seth. “Sound - on Doug Aitken’s Sonic Pavilion.” ArtForum (November 2009) pp. 99 - 100
Finkel, Jori. “Studio Visit: Doug Aitken.” Modern Painters (October 2009) pp. 38 - 40
Finkel, Jori. “In the Studio.” Art and Auction (October 2009) pp. 48 - 54
2008
Hirsch, Faye. “Exhibition Review: Doug Aitken.” Art in America (December 2008) pp. 156
Nikolai, Carsten. “The Artists’ Artists.” Artforum (December 2008)
Ayerza, Josefina. “Feature: Dug Aitken.” Lacanian Ink (Fall 2008)
Kazakina, Katya. “Aitken’s Critters Lounge in Motels.” Bloomberg.com (October 30)
Pollock, Barbara. “Review: Doug Aitken, ‘Migration.’” Time Out New York (October 23 - 29, 2008)
Castets, Simon. “Ideal Standard.” Vmagazine.com (2008)
“Review.” The New Yorker (October 13, 2008)
Smith, Roberta. “An Alien Sighting on Planet Pittsburgh.” The New York Times (May 9, 2008) pp. B25 – 26
Knight, Christopher. “Extraterrestrial Earthlings find ‘Life.’” The Los Angeles Times
Art Review (May 7, 2008) pp. E, E6
McGuiggan, Jennifer. “Te Carnegie international: Life on Mars, Here in Pittsburgh.” Pop City (May 7, 2008)
Sardo, Delfim. “Here to go (ice cave).” Unica (April 2008) pp. 20 - 21
Review, MOMA: Highlights since 1980 pp. 214
Finkel, Jori. “At The Ready When Artists Think Big.” The New York Times (April 27, 2008) pp. AR33
McKenna, Kristine. “SoCal Color.” T: The New York Times Magazine (March 9, 2008) pp. 150 - 151
“Reality Show.” ArtReview (Janurary 2008) pp. 50 - 51
Pollack, Barbara. Time Out New York (October 23 - 29, 2008)
Kazakina, Katya. “Aitken’s Critters Lounge in Motels.” Bloomberg.com (November 4, 2008)
Castets, Simon. “Ideal Standard.” VMagazine.com (October 29, 2008)
2007
Vandederbilt, Tom. “Best of 2007 - No. 8.” Artforum (December 2007) pp. 340 - 341.
Wijesooriya, Ruvan. “Doug Aitken Back - Stage: Los and Found: Tales from the Broken Screen.” Uovo (2007) pp. 218 - 236
Santiago, Fabiola. “Artist Puts Focus On Miami.” Metro & State (October 26, 2007) pp. 6B
Vogel, Carol. “Sleepwalker’s Video Is Tailored for Miami.” The New York Times (October 28, 2007) pp. B28
Bortolotti, Maurizio. “Between Art and the Media World.” Domus (October 7, 2007) pp. 152 - 153
Obrist, Hans Ulrich. “Ever 3/3 Ever.” ARTiT vol. 16 (Summer/Fall 2007) pp. 78 - 79
Roman, Shari. “Transart Film Express.” (Summer 2007) pp. 16 - 17
“Doug Aitken.” XFuns (June 2007) pp. 96 - 99
“Works In Progress.” TOKION (Vol.2) pp. 52, 68 - 69
Smith, Roberta. "The Museum as Outdoor Movie Screen, Featuring Five Lives Lived After Dark." The New York Times (January 18, 2007)
West, Kevin. "A+." W Magazine (January 2007)
Vanderbilt, Tom. "City of Glass." Artforum (January 2007)
Myers, Terry R.. "Doug Aitken, The Flaneur." ArtReview (January 2007) pp. 68 - 73
Alpert, Lukas I.. "MoMA's wall - star cast." The New York Post (January 4, 2007)
Henry, Clare. "An Urban Drive - In Movie on Manhattan's Sidewalks." Financial Times (U.S. edition) (January 27, 2007)
Budick, Ariella. "Life in Manhattan as Projected from L.A." Newsday (January 11, 2007)
Thompson, Adam. Art Papers (May/June 2007)
Yablonsky, Linda. “Night at the museum.” Time Out New York (January 11 – 17, 2007) pp. 28 – 29 [ill.]
2006
Homes, A.M.. "Spotlight: Doug Aitken, The Narrator." Vanity Fair (December 2006)
Eichler, Dominic. "Universal Experience." Frieze (January/February 2006) pp. 146 - 14
Hart, Hugh. "Art as a Prism For Ideas.” The Los Angeles Times (March 25, 2006)
Bollen, Christopher. “Artists in Residence.” New York Times Magazine (April 16, 2006) pp. 52 – 56
Faucon, Teresa and Damien Sausset. “Doug Aitken: l’evidence du temps.” Art Press (January 2006)
Glickman, Adam [moderator]. “Future of Content.” Tokion Magazine: The Creativity Now Issue (February/March 2006) pp. 94 - 98
Lunenfeld, Peter. “The Order of Things.” The Los Angeles Times Book Review (April 16) pp. R9
“Portfolio/Doug Aitken: What I Think About, When I Think About You, 2005.” Mouvement (Jan. - Mar. 2006) pp. 108 - 115
“Postcard Art.” [UK] TNT Midweek (Oct. 5) pp. 9, 11
Schwerfel, Heinz Peter. “Ein Surfer durch Licht und Zeit.” Art das Kunstmagazin (January/March 2006)
Teeman, Tim. “Around the World in Eighty Ways.” London: Times Knowledge (September 2006) pp. 24 – 30
Williamson, Damien. “The Anti - Snapshot.” Time Out: Aspen Daily News (May 26 – 31, 2006) pp. 8 – 9
Zuckerman Jacobson, Heidi. “Mirror, Mirror.” Aspen Magazine (Summer 2006) pp. 80, 82
2005
Baron, Marie - Guy. “En symbiose avec Doug Aitken.” Le Figaro (December 27, 2005)
Demir, Anaid. “Ultraworld, une histoire sans debut et sans fin.” Le Journal des Arts (December 2 – 15, 2005)
“Doug Aitken.” L’Officiel (Autumn/Winter 2005/2006)
Moisdon, Stephanie. “Doug Aitken: a la recherché de mondes perdus.” Beaux Arts Magazine (November 2005) pp. 52 – 57
Schonwald, Cedric. “Ultraworld.” Art 21 (December 2005/January 2006)
Zappia, Francesca. “Doug Aitken’s Ultraworld.” Undo.net (December 19, 2005)
Miles, Christopher. "Doug Aitken, Regen Projects." Artforum (December 2005) pp. 285
Tate, Natalie, “Native Artist Returns Home.” The Daily Bruin Magazine (October 13, 2005) pp. 11
Wiesmayer, Andre. Interview. Tokion (September/October 2005) pp. 79 – 81
Willis, Holly. "Time Machines." LA Weekly (September 16 – 25, 2005) pp. 72 – 73
Knight, Christopher. "Modern experience, dissected 11 different ways." The Los Angeles Times (September 30 ) pp. E1
Lewine, Edward. "Art That Has to Sleep in the Garage.” Arts & Leisure, The New York Times (June 26, 2005) pp. 1, 26
Poor, Kristin. "Doug Aitken." The Blow - Up Issue no. 3 (Spring/Summer) pp. 36 - 42
"Dakar, Senegal: 10 days without sleep." Ryuko Tsushin Vol. 501 (March 2005) pp. 86 - 91
Interview. Boundless published by Art Center College of Design (number 1) pp. 10 - 13
Marsh, Margaret. Art 2 Practice (textbook) published by Oxford Press, pp. 254 - 355
Steward, Sue. “A focus on six of the best.” The Evening Standard (January 19, 2005)
Thomas, Helen Ann. “Caught on Video: Auctioneering Meets Art.” Santa Barbara News (October 26, 2005)
2004
“Broken Screen.” project for Artforum (November 2004) pp. 194 – 201
Rebollar, Monica. “Fragmentary Beauty.” Lapiz no. 208 (December 2004) pp. 50 - 65
Arango, Carlos. “Doug Aitken: Estaremos seguros mientras todo se mueva.” Alterego (no. 36, 2004)
Hernandez Grima, Julio. “Armonia y caos.” Gara, Bilbao, (November 30, 2004) pp. 11
Merino, Jose Luis, “Armonizar los contrarios,” El Pais, Bilbao, (November 8, 2004) pp. 8
Reguera, Galder. review, Artes Plasticas Bilbao (November 2004) pp. 17
Exposiciones Espana. Exit Express (November 2004) pp. 19
Garcia, Txema. “Doug Aitken: la percepcion de lo minimo.” Kaleidos No. 23 (October 22 – 28, 2004) pp. 24
Saenz de Gorbea, Xabier. “Mientras todo se mueva.” Deia (October 23, 2004) pp. 18
San Sebastian, Aitzol. “La seguridad del movimento.” La Luna de Metropoli No. 24 (October 15 - 21, 2004) pp. 14
Carrera, G.. “Lo que queda del Paraiso.” Cultura, El Correo, Bilbao, (October 15, 2004) pp. 74
Constryendo arquitecturas: Doug Aitken.” Neo 2 (October 2004)
Smith, Roberta. “Summertime atpp. S. 1: Where Opposites Like Hands On/Hand Off Attract.” The New York Times (July 16, 2004)
Cornell, Lauren. “Hard Light.” Review, Time Out New York (August 5 – 12, 2004)
Doug Aitken talks to Ed Ruscha. “Earth is the Alien Planet.” Frieze Issue 84 (June – August 2004) pp. 100 – 105
Bergstein, Yael. “Bice Curiger on the Hypermental and Georgia O’Keefe.” Studio: Israeli Art Magazine Issue 151 (March 2004) pp. 32 - 39
2003
Sumpter, Helen. “Doug Aitken.” Time Out London (November 19 - 26, 2003)
Smee, Sebastian. “Mesmerising Visions.” Daily Telegraph (October 29, 2003)
Smithson, Helen. “Visual essay on our state of alienation.” Hampstead and Highgate Express (November 7, 2003)
Boncossa, Ilaria. “a shifting breakfast.” label No. 9 (Spring 2003) pp. 92 - 97
Tegeder, Dannielle. Bomb Issue 83 (Spring 2003) pp. 44 - 46
“Focus Video and Film.” FlashArt Vol.XXXVI No. 228 (January/February 2003) pp. 88
Willis, Holly. “I am always moving.” res (Vol. 6, No. 3, 2003) pp. 36
Newhall, Edith. ARTnews vol. 102, No. 5 (May 2003) pp. 159
Eleey, Peter. Frieze Issue 72 (January/February 2003) pp. 93
2002
Renard, Emilie. “Critics’ Picks.” Artforum.com, review (2002)
Griffin, Tim. Review. Artforum (December 2002) pp. 137
Honigman, Ana Finel. Review. Contemporary (November 2002) pp. 85
Heartney, Eleanor. Review. Art in America (November 2002) pp. 155 - 6
Sculpture. Vol. 21 No.8 (October 2002) pp. 16
Halle, Howard. Review. Time Out NY Issue 367 (October 10 - 17, 2002)
Kastner, Jeffrey. “No Labels, No Boundaries: An Artist of the Moment.” The New York Times (October 7, 2002) pp. 36 – 37
Kihm, Christophe. “Gestures and Territies.” Art Press No. 282 (September 2002) pp. 46 -50
Smith, Roberta. Review, The New York Times (October 18, 2002)
“Goings On About Town.” The New Yorker (October 14 - 21, 2002)
The New Yorker (October 7. 2002) pp. 23
Griffin, Tim. “Doug Aitken.” Index Magazine (September/October 2002) pp. 40
Newhall, Edith. “Too Much Information.” New York Magazine Vol. 35, No. 30 (September 9, 2002) pp. 70
Res (September/October 2002) pp. 22
Withers, Rachel. Review. Tema Celeste Issue 89 (January/February 2002) pp. 74
Firstenberg, Lauri. “Urban Pornographic.” Make London, (Special Edition 92) pp. 9
Morton, Tom. Review. Modern Painters Vol 14, No.4 (Winter 2002) pp. 102 - 3
2001
Kent, Sarah. “Living in Oblivion.” Time Out London (October 24 - 31, 2001) pp. 60
Ratnam, Niru. “The Man Who Fell to Earth.” The Face, London, (November 2001)
Guzik, Jon Alain. “A Twilight of Perfection.” Dazed & Confused Narcism Issue (Winter 2001) pp. 130 – 139
Buck, Louise. “Quick Flicks.” Vogue Vol. 167, No. 2439 (October 2001) pp. 91 – 92
Cork, Richard. “Flood Warnings.” Review, The Times, London, (October 17)
Januszczk, Waldemar. “Going Underground.” The Sunday Times, London (October 21, 2001)
Lack, Jessica. Review, The Guardian London, (October 13, 2001)
Lubbock, Tom. “5 Best Shows in London.” The Independent, London (October 13, 2001)
“Richard Cork’s choice: Doug Aitken.” The Times, London, (October 1, 2001)
Sumpter, Helen. Hot Tickets, London, (October 12, 2001)
Bishop, Claire. Review. The Evening Standard, London, (October 11, 2001)
Mitchell, Stephen. “Going out.” The Evening Standard, London, (October 11, 2001)
Chapman, Peter. The Independent, London, (October 6, 2001)
Hemming, Sarah. Preview. The Daily Express, London, (October 5, 2001)
Guzik, Jon Alain. “Video Art: A Primer.” SOMA Vol. 15.8 (October 2001) pp. 43 - 46
Reust, Hans - Rudolf. “Hypermental; Kunsthaus Zürich.” Artforum International Vol. 34, No. 10 (Summer 2001) pp. 193 - 4
Book review. “Diamond Sea.” Tema Celeste Vol. XVIII, No.85 (May/June 2001) pp. 20
“Diamond Sea.” Mined Field (2001) pp. 408 - 415
Firstenberg, Lauri. “Visualizing the Contemporary Vernacular: The Photograph of Doug Aitken.” Camera Austria (No. 74, 2001) pp. 6, 17 [ill., cover]
Spiegl, Andreas. “Doug Aitken: Wiener Secession, Wien.” Camera Austria International Graz/A (No. 73, 2001) pp. 78 – 79 [ill.]
Franke, Anselm. “Doug Aitken. Variiert in seinen Installationen. Ensembles von film, Video, Foto, Architektur, und sound.” KW Magazine Berlin (no.01/01) pp. 86 - 7 (english translationpp. 78)
Glueck, Grace. “Connecticut Covers 3 Centuries Lightly: Aldrich Museum.” The New York Times (July 21, 2001)
Guzik, Jon Alain. “Calm, Cool, and Collected.” Soma Vol. 15.4 (May/June 2001) pp. 43 - 45
Fuchs, Christian and Petra Erdmann. “Crossing All Over.” Ahead (1) pp. 64 - 65
Vogel, Sabine V. “Die Welt im Zwichenraum, Zu Doug Aitken’s Videoinstallationen.” Kunst - Bulletin (April 2001) pp. 12 - 17
Spinelli, Claudia. “Mediale Entgrenzung: Der Videokunstler Doug Aitken in Wolfsburg.” Neue Zurcher Zeitung Zurich, No. 96 (April 26, 2001) pp. 65
Ramonet, Ignacio, “Heller Wahn.” Le Monde diplomatique Germany (April 2001) pp. 1
“Berlin’s Best.” Der Tagesspiegel (March 23, 2001)
“Berlin’s Best.” Der Tagesspiegel (March 16, 2001)
Flyer No. 137 (March 5 – 18, 2001)
“Berlin’s Best.” Der Tagesspiegel (March 9, 2001)
“Doug Aitken.” Die Tageszeitung/ Sonderbeilage Kunstmuseum Wolfsburg (March 2001)
Busing, Nicole & Klaas, Heiko. “Zuckungen in der Endlossschleife.” Saarbrucker Zeitung (March 9, 2001)
Wahjudi, Claudia. “Frau ohne Eigenschaften.” Zitty Nr. 6 (March 8 – 21, 2001)
Walder, Gabriela. “Der Grobstadtnomade von Los Angeles.” Die Welt (March 8, 2001)
Ebeling, Knut. “Parabeln der Unbehaustbeit.” Berliner Zeitung (March 6, 2001)
Stoeber, Michael. “Die Unsicherheit aller Verhaltnisse.” Hannoversche Allgemeine Zeitung (March 5, 2001)
“Highlights der Woche.” Stern (March 1, 2001)
“Berlin.” Frankfurter Allgemeine Zeitung (February 28, 2001)
Hilgenstock, Andrea. “Der Poet unter den Videokunstlern.” Die Rheinpfalz Ludwigschafen Rundschau (February 26, 2001)
Wulffen, Thomas. “Amor vacui.” Frankfurter Allgemeine Zeitung (February 26, 2001)
“Netzwerk.” Zitty (February 22, 2001)
“Medium als Message.” Der Tagesspiegel (February 22, 2001)
Review. Zitty (February 22, 2001)
Buhr, Elke. “Der perfekte Moment.” Frankfurter Rundschau (February 21, 2001)
Hilgenstock, Andrea. “Gigi in der Geisterstadt.” Berliner Morgenpost (February 20, 2001)
Kuhn, Nicola. “Wusten der Grobstadt.” Der Tagesspiegel (February 20, 2001)
Fricke, Harald. “Leben unter dem Stroboskop.” Die Tageszeitung (February 20, 2001)
Kuhn, Nicola. “Der Rap der Grobstadt.” Potsdamer Neueste Nachrichten (February 19, 2001)
Surborg, Jorn. “Uberraschende Ansichten urbaner Landschaften.” Wolfsburger Kurier (February 18, 2001)
Franke, Anselm. “Doug Aitken: Videos als raumfullendes Gebilde.” Wolfsburger Allgemeine Zeitung (February 16, 2001)
“Los Angeles leuchtet – Wolfsburg zeigt Werke von Doug Aitken.” Neue Presse Hannover (February 16, 2001)
Nehring, Lydia. “Elektrische Liebeserklarung?!.” Berliner Morgenpost (February 15, 2001)
Poschardt, Ulf. “Surfen statt Zappen.” Welt Am Sonntag (February 11, 2001)
Pardo, Patrick. “The Politics of Landscape.” NYArts Vol. 6, No. 2 (February 2001) pp. 75
Jothady, Manish. “Reisen in den Inner Space.” Frame Vol. 5 (Jan – Feb 2000) pp. 67 – 73
Romano, Gianni. “Secession.” Flash Art Vol. XXXIV, No. 216 (Jan – Feb 2000) pp. 121 –122
2000
Fuchs, Christian and Petra Erdamann. “How to Disappear Completely: Doug Aitken.” Ahead (January 2000) pp. 64 - 5
Anton, Saul. “Dead Meat: From Aitken to Barney through Hitchcock.” Fiction: or Other Accounts of Photography, Dazibao Montreal, Canada (November 2000) pp. 47 - 55
Vogel, Sabine B. Frankurter Allgemeine (November 7, 2000) pp. 23
Secession (February 2000) pp. 8 - 9 [ill., cover]
Aitken, Doug. “Horse’s Mouth - - reader’s tips complied by Laura Mauk.” Bookforum Vol. 7, Issue 4 (Winter 2000) pp. 44
“Turbulence; Blackout; movement; Breath In; Weak Link; Mirror.” Blind Spot (Issue 16, 2000)
Martin, Frank Edgerton. “That’s Entertainment, Let’s Entertain Life’s Guilty Pleasures.” Portland Art Museum, Architecture (August 2000) pp. 63
Feinstein, Roni. “Museum of Contemporary Art.” Art in America (2000) pp. 44
Anton, Saul. “A Thousand Words: Doug Aitken Talks about Electric Earth.” Artforum (May 2000) pp. 160 - 161
Rubinstein, Raphael. “Regional Hopes & Recycled Tropes.” Art in America (July 2000)
Anton, Saul. “Doug Aitken New York.” Res (October 2000)
Gerstler, Amy. “Man in Motion: The Video Nomad Goes Home.” Los Angeles Magazine No. 186 (November 2000) pp. 122 – 127
Willis, Holly. “Signal To Noise, Doug Aitken’s Blow Debris.” LA Weekly (December 2000) pp. 8 – 14
Myers, Holly. “Horizons, Art Photography (mostly) at MOCA and the Getty.” LA Weekly (2000)
Pagel, David. “Flight Patterns Ventures Far.” Calendar Arts and Entertainment (November 23, 2000) pp. 63
Muchnic, Suzanne. “She’s Trying to Reorient LA’s Compass.” Art and Architecture (December 2000)
Bonetti, David. “dark views of battered landscape in LA show.” San Francisco Examiner (November 16, 2000)
Verkoeper, Ute. “I Am In You.” Springerin Ausstellungen (2000)
Bronson, AA. “Doug Aitken, Glass Horizon, These Restless Minds, Wiener Secession.” Association of Visual Artists (January 3, 2000)
Dusini, Mathias, “Netzhaut unter Strom”, Falter Vienna, No. 43 (October 27, 2000)
Mittwoch. “Kunst - Szenen, Audiovisuelle Poesis - Doug Aitken.” Neus Zurcher Zeltung no. 166 (July 19, 2000)
Grzonka, Patricia Von. “Clever & Smart.” Kunstpp. pp. 182 (2000)
Kalmar, Stefan. “Access/Excess.” The Facepp. pp. 190 (2000)
Steininger, Florain. “Wuste gegen Urbanitat, Die Presse, Doug Aitken, Glass Horizon.” Vienna (October 25, 2000)
Mittringer, Marku. “Hyperaktive Stagnation, Doug Aitken hat in der Secession.” Der Standard Vienna (October 21, 2000)
Auritipp. “Die tollen Lockvogel.” Zurich: TA Media AG (June 16 – 22, 2000) pp. 64
Talkington, Amy. “Ausstellungsempfehlung, Doug Aitken.” Seccession, Wien, Portfolio, Newsletter, Vienna, No. 2 (2000) pp. 14
Golonu, Berin. “Previews.” Artweek (July/August 2000)
Calendar/Critics Choice. San Francisco Bay Guardian (July 15, 2000)
Bonetti, David. “Bay City Best.” San Francisco Examiner Magazine (July 9, 2000)
Guthmann, Edward. “India’s ‘Bollywood’ Inspires Video Artist.” San Francisco Chronicle (July 18, 2000) pp. E1 - E5
Tsering, Lisa. “Into the Sun: Impressions of the Bollywood Dream Machine.” India West (July 21, 2000)
Helfand, Glen. “Access Bollywood.” The San Francisco Bay Guardian.” (July 26 - August 1, 2000)
Bonnetti, David. “BAM installation examines film.” San Francisco Examiner (August 25, 2000)
Baker, Kenneth. “The Fantasy World of Bollywood: Video artist explores mystique of movies.” San Francisco Chronicle (July 12, 2000)
Bonami, Francesco. “Liquid Time.” Parkett Issue 57 (2000) pp. 29 – 32
Roberts, James. “Omega Man.” Parkett Issue 57 (2000) pp. 22 – 23
vanAssche, Christina. “The “Stalker” of the Fin de Siécle.” Parkett Issue 57 (2000) pp. 54 - 58
McKenna, Kristine. “ Biennial Man.” LA Weekly (March 17 – 23, 2000)
Ruhm, Constanze. “Planet of the Scapes.” Style and the Family Tunes Germany, Issue 30 (April/May 2000) pp. 34 – 39
Birnbaum, Daniel. “I am in You.” Artforum (December 2000) pp. 126
Halle, Howard. “2000 and None: The Whitney Blows the Franchise.” Time Out New York No. 237 (April 6 – 13, 2000) pp. 72
“Very New Art.” Bijutsu Techo Japan, No. 782 (January 2000)
Artbyte Vol. 3, No. 2 (July – August 2000) [ill., cover]
Wei, Lily. “2000 Biennial Exhibition.” Review Artnews Vol. 99, No. 5 (May 2000) pp. 225
Paini, Dominique. “Le Retour du Flâneur.” Artpress Paris, no. 255 (March 2000) pp. 33
Rush, Michael. “New Media Rampant.” Art in America (July 2000) pp. 41
“Doug Aitken.” Brutus Japan (2000)
“Gallery Side 2.” Bijutsu Techo Japan, Vol. 51, No. 774 (August 2000) pp. 21
“Very New Art 2000.” Bijutsu Techo, Japan (2000) pp. 9 - 12
Adams, Mark. “Accelerating Art: Aitken, ‘I am a Bullet’.” Rolling Stone (September 14, 2000) pp. 105
“Super - flat landscape.” Bijutsu Techo Japan, (September 2000) pp. 18 - 29 [ill., cover]
Grabner, Michelle. “Let’s Entertain.” Frieze, Issue 54 (Sept – Oct 2000) pp. 125 - 26
Green, Charles. “The Biennale of Sydney 2000.” Artforum (September 2000) pp. 186 - 87
Withers, Rachel. “Fall Preview: Guy Wired.” Artforum (September 2000) p. 78
“No - one needs to say sorry.” The Sydney Morning Herald (Fri., May 26, 2000) p. 19
Smee, Sebastian. “Video Drills the Rodeo Star.” Sydney Morning Herald (July 8, 2000)
Genocchio, Benjamin. The Australian (May 26, 2000)
“Visual Arts: A Fresh Perspective.” Sydney Scope Magazine (June 6, 2000)
“Art Showcase: Doug Aitken.” Zoo London, Issue 4 (Janurary 2000) pp. 158 - 159
1999
Macel, Christine. Beaux Arts profile (December 1999) pp. 78 - 81
Ryan, Orla. Circa review of biennale, Issue No. 89 (1999) pp. 16 - 17
Lyer, Pico. “Always Homeward Bound.” Photo contribution, Architecture Vol. 88, No 12 (December 1999) pp. 86 [ill.]
“Random space.” Big (2000) pp. 102 - 109
Herbert, Martin. Londonart UK magazine (October 22, 1999)
Saltz, Jerry. “New Channels.” The Village Voice (January 12, 1999) pp. 113
Anton, Saul. “Doug Aitken’s Moment.” Tate Issue no. 19 (Winter 1999) pp. 54 - 58
Giorgio, Verzotti. “La Biennale dello Culture Emergenti.” Tema Celeste Arte Contemporanea Review, (September 1999) pp. 52
Hayt, Elizabeth. “Looking Ahead.” The New York Times (September 12, 1999) pp. 93
Madoff, Steven Henry. “All’s Fair.” Artforum (September, 1999) pp. 145 - 154, 184, 190
Heiser, Jorg and Andrew Gellatly. “Just Add Water.” Frieze Issue 48 (September/October 1999) pp. 66 – 71
Vertrocq, Marcia. “The Venice Biennale: Reformed, Renewed, Redeemed.” Art in America (September 1999) pp. 82 – 93
Anton, Saul. Review, Artbyte (June/August 1999) pp. 108
Amadasi, Giovanna. Interview, - cross No. 2 (1999) pp. 24 – 29
Rattray, Fiona. “Landscape Art.” Blueprint No. 159 (March 1999) pp. 63
Gisbourne, Mark. “I Love New York, Crossover of Contemporary Art.” Review, Contemporary Visual Arts Issue 22 (1999) pp. 77
Cincinelli, Saretto. “Pitti Immagine Discovery.” Flash Art (June/July 1999) pp. 118
“Video et Photographie Scellent leurs Noces au Printemps de Cahors.” Le Monde (June 23, 1999)
Rees, Christina. “Well - Cut Gem.” Dallas Observer (June 3 – 9, 1999) pp. 62
Lubow, Arthur. “The Curse of the Whitney.” The New York Times Magazine (April 11, 1999) pp. 54 - 61
“Doug Aitken at 303.”Review, Flash Art (January/February 1999) pp. 40
Bonami, Francesco & Obrist, Hans, ed. Dreams (1999)
Robinson, Walter, “Hi Mom, I’m in Venice.” Artnet.com (1999)
de Rooij, Marie, “Beeldende Kunst.” De Groene Amsterdammer (June 2, 1999) pp. 27
Aspesi, Natalia. “Festa Grande per Artisti Casalinghi.” La Republica (June 10, 1999)
“48 la Biennale di Venezia.” Review, Bijutsu Techo Japan Vol. 51, No. 775 (1999)
“Clues.” Review Flash Art (May 1999)
Le Millenium (Japanese) no. 26) (1999)
Vogel, Carol. “At Venice Biennale, Art Is Turning Into an Interactive Sport.” The New York Times (June 14, 1999) pp. E1, E6
Kimmelman, Michael. “The Art of the Moment (And Only For The Moment).” The New York Times August 1, 1999) pp. 34 - 35, sec. 2
1998
Gorky, Arshille. “Electric Earth, 1999, Biennale di Venezia.” (September 1998) p. 52
Arning, Bill. Review, Time Out New York (January 7, 1998) p. 54
Krauss, Nicole. Review. Art in America (March 1998) p. 112
Jocks, Heinz - norbert. “Ein Fernblick auf New York.” Kunstforum International (January/February 1998) p. 312
Bonami, Francesco. “Doug Aitken: Making Work Without Boundaries.” Flash Art (May – June 1998) pp. 80 - 82
Fogle, Douglas. “No Man’s Land.” Frieze #39 (March – April 1998) pp. 56 - 61
Pastami, Shumchi. “Doug.” Esquire, Tokyo, (September 1998)
Blair, Dike. “Interview/ Sound and Image, Self and Place.” Purple Prose 13 (Winter 1998)
Woznicki, Krystian. “California on the Mind’s Road Map.” The Japan Time (July 19, 1998) pp. 13
Fleiss, Eileen, ed.. Photo project for Purple Two (Winter 1998) pp. 382 - 389
Shave, Stuart, ed.. “Speed Addict.” i - d (October 1998) p. 131
Morrissey, Simon. Review, Untitled (1998) pp. 30
Review. Attitude (September 1998) p. 95
Wakefield, Neville. “Let’s Go to the Videotape.” Art & Auction (October 19, 1998)
Review. PIA Tokyo, Japan (July 6, 1998)
Akasaka, Hideto. “Mindscape.” Asahi Camera (August 1998)
Review. i - magazine (August 1998)
Review. Gallery (July 1998) pp. 31
Review. Nikkei Art (August 1998)
1997
Talkington, Amy. “Diamonds in the Desert.” Ray Gun (August 1997)
McKenna, Kristine. "It Happens Every Two Years." The Los Angeles Times (March 9, 1997)
Pokorny, Sydney. review. Artforum (Summer 1997)
Leggat, Graham. “All of These, None of These: The 1996 New York Video
Festival.” Parkett Magazine Issue 48 (1997) p. 162
Review. Village Voice (April 1997)
Newhall, Edith. "Glimmer Fields.” Talent, New York Magazine (April 14, 1997) p. 148
“ad./on/exchange: a Project curated by Jade Dellinger.” Zing Magazine, Winter/Spring
Cameron, Dan. “The Year’s Best.” Artforum (December 1997)
“Galleries - - Chelsea.” The New Yorker (April 4, 1997)
“Doug Aitken.” Studio Voice (8) Volume 248 (1997) pp. 384 - 386
Searle, Adrian. “Nowhere to Run.” Frieze Issue 34 (May, 1997) p. 45
Kuipers, Dean. “Loaded 5X: Doug Aitken and Dean Kuipers.” AdaWeb (1997) [online]
Madestrand, Bo. "Unpacking the Fashion Pack: Doug Aitken and Peter Gehrke at Gallery Index, Stockholm.” Material No. 32 (Spring 1997)
Schmerlerler, Sarah. “Doug Aitken at 303 Gallery.” Time Out New York (April 17 – 24, 1997) p. 41
Sandhu, David. “Exhibition of the Month: we gotta get out of this place.” i - d (December 1997)
Photography project. “Adrenalin.” i - d (December 1997)
Coomer, Martin. Review. Time Out London (1997)
1996
Arning, Bill. “Down for the Kunst.” Time Out New York (1996)
Schmerler, Sarah. “Art in the Anchorage '96.” Time Out New York #46 (1996)
1995
Schwartz, Henry. Flash Art (March – April 1995) pp. 104
Di, Genova, Arianna. “Una collezione d’art.” Il Manifesto (February 23, 1995)
1994
Pokorny, Sydney. Frieze (Nov/Dec 1994) p. 61
Decter, Joshua. Review, Artforum (December 1994) p. 48
Kastner, Jeffre. "Beyond Belief." Flash Art (Summer 1994) p. 61
Muir, Gregor. "Beyond Belief.” World Art (June 1994) p. 109
Weil, Benjamin. "Ouverture.” Flash Art (May/June 1994) p. 104
“Moonlighting.” The New Yorker (October 3, 1994) p. 26
Cork, Richard. "All Human Life is Missing.” The London Times (April 26, 1994)
Colman, David. " Short Takes.” Vogue (December 1994) p. 20
Lillington, David. "Monkey Business - Beyond Belief." Time Out (April 1994)
Saltz, Jerry. "Doug Aitken at the AC Project Room.” Art in America (April 1994) p. 128
1993
Saltz, Jerry. "Mayday, Mayday, Mayday.” Art in America (September 1993) p. 45
Saltz, Jerry. "10 Artists for the 90s.” Art & Auction (May 1993) p. 122 - 125
1992
Bogan, Neill. Art Papers (October/November 1992) p. 54
Kempton, Jim. "Schrapnel." WARP Magazine (October 1992) p. 18
Selected Writings:
2004
Aitken, Doug. “Pierre Huyghe.” Bomb: Art and Culture Interviews, Issue 89 (Fall 2004) pp. 40 – 42
Aitken, Doug. “100 Frames: Bruce Conner’s Breakaway.” Esopus No. 3 (Fall 2004) pp. 91