"From Catherine Opie, a Visual Diary of the Recent Past"

T: The New York Times Style Magazine, feature by Nadja Spiegelman

July 10, 2020

"Catherine Opie"

ArtReview, feature by Fi Churchman

April 2020

"Catherine Opie: 'Beauty has to encompass more about the human condition'"

CNN Beauty, essay by Catherine Opie

March 6, 2020

"‘Drain the swamp’? Artist Catherine Opie says swamps are beautiful"

Los Angeles Times, interview by Carolina Miranda

March 4, 2020

"Artist’s Questionnaire: Catherine Opie’s Work Is More Urgent Now Than Ever"

T Magazine, interview by Janelle Zara

October 2, 2019

"Catherine Opie 'The Modernist' at Regen Projects, Los Angeles"

Mousse Magazine, review by Jennifer Piejko
February 2018

“Modernism and Dystopia: Catherine Opie Interviewed by William J. Simmons”

BOMB Magazine, interview by William J. Simmons

February 5, 2018

"A film debut that resounds”

Los Angeles Times, review by Sharon Mizota
January 24, 2018

“Fire Starter"

Los Angeles Magazine, article by Scott Timberg

January 2018

“Burning Down the House”

Aperture, interview by Maggie Nelson
Winter 2017

"Secret Selves"

The New Yorker, feature by Ariel Levy

March 13, 2017

“It’s Her Moment: Fine-arts photographer Catherine Opie has double exposure in Los Angeles this week”

The Los Angeles Times, feature by Deborah Vankin

January 24, 2016

"Star Turn: Richard Meyer on Catherine Opie's Elizabeth Taylor Photographs"

Artforum, feature by Richard Meyer

January 2014

"Catherine Opie"

Art + Auction, feature by Eric Bryant

February 2012

"Body of Evidence"

New York Times Style Magazine, feature by Linda Yablonsky

Fall 2008

“Catherine Opie Regen Projects”

Art Review, review by Ed Schad

June 2008

"Stopped at the 50-yard line"

The Los Angeles Times, review by Christopher Knight

May 2, 2008

"Catherine Opie at Regen Projects"

Art in America, review by Sarah Valdez

May 2004

"Opie Landscape Photos Put Sentimentality on Ice"

Los Angeles Times, review by Holly Myers

May 24, 2002