WE ARE HERE AND WE SEE EACH OTHER

2021
Polyurethane resin, raw Virginia cotton, dye-sublimation printed t-shirts, altered t-shirts, studio debris, carbon fiber, pine needles, tobacco root
93 x 168 x 2 inches (236.22 x 426.72 x 5.08 cm)
Photo: Jason Wyche

Installation view of Make-Shift-Future, curated by Elliott Hundley
Regen Projects, Los Angeles

March 27 – May 22, 2021

Photo: Evan Bedford

Sage

2020
Polyurethane resin, housedresses, Nike Cortez
46 x 33 x 34 inches (116.84 x 83.82 x 86.36 cm)
Photo: Jason Wyche

The Road

2019
Polyurethane resin, raw Virginia cotton, Virginia soil, Virginia twigs, Virginia pine needles, housedresses, kaftans, t-shirts, durags, altered housedresses, altered kaftans, altered t-shirts, altered garments, altered tires, scarf, guinea fowl feathers, down feathers, copper, jewelry, shoelaces, mobile phone, burlap satchel, windshield wipers, altered African fabrics, socks, Timberland boots, aluminum, steel
96 x 120 x 10 inches (243.84 x 304.8 x 25.4 cm)
Photo: Jason Wyche

Installation view of Kevin Beasley: A view of a landscape

Whitney Museum of American Art, New York, NY

December 15, 2018 – March 10, 2019

Photo: Ron Amstutz

Installation view of Kevin Beasley: A view of a landscape

Whitney Museum of American Art, New York, NY

December 15, 2018 – March 10, 2019

Photo: Ron Amstutz

Queen of the Night

2018
Polyurethane resin, housedresses, kaftans, du-rags, t-shirts, CD’s, guinea fowl feathers, clothes pins, hair rollers, hair extensions (tumbleweave), fake gold dookie chain
96 x 83 x 10.5 inches (243.84 x 210.82 x 26.67 cm)
Photo: Jason Wyche

Queen of the Night (detail)

2018
Polyurethane resin, housedresses, kaftans, du-rags, t-shirts, CD’s, guinea fowl feathers, clothes pins, hair rollers, hair extensions (tumbleweave), fake gold dookie chain
96 x 83 x 10.5 inches (243.84 x 210.82 x 26.67 cm)
Photo: Jason Wyche

Untitled Slab (cotton island)

2018
Housedresses, kaftans, t-shirts, cotton, altered garments, winter slippers, fishing net, sea shells, sea stones, coral, clothing line, polyurethane resin
83.5 x 95.5 x 7 inches (212.09 x 242.57 x 17.78 cm)
Photo: Jason Wyche

Installation view of inHarlem: Kevin Beasley, Simone Leigh, Kori Newkirk, Rudy Shepherd

The Studio Museum in Harlem, New York, NY

August 25, 2016 – July 25, 2017

Photo: Adam Reich

Installation view of Hammer Projects: Kevin Beasley

Hammer Museum, Los Angeles, CA

January 21 – April 23, 2017

Photo: Brian Forrest

Installation view of Between the Ticks of the Watch

The Renaissance Society, Chicago, IL

April 24 – June 26, 2016

Photo: Tom Van Eynde

Installation view of Between the Ticks of the Watch

The Renaissance Society, Chicago, IL

April 24 – June 26, 2016

Photo: Tom Van Eynde

Untitled (Sea)

2016
Polyurethane resin, housedresses
82 x 96 x 26.5 inches (208.3 x 243.8 x 67.3 cm)
Photo: Jean Vong

Untitled (parade)

2016
Housedresses, kaftans, polyurethane resin
87 x 72 x 48 inches (221 x 182.9 x 121.9 cm)
Photo: Oriol Tarridas

Strange Fruit (Pair 1)

2015
Nike Air Jordan 1 shoes (white and black), resin, polyurethane foam, tube socks, shoelaces, rope, speakers, hypercardiod and contact microphones, amplifier, patch cables, and effects processors
68 x 24 x 17 inches (172.7 x 61 x 43.2 cm)
Photo: Jean Vong

I Want My Spot Back

October 25 – 26, 2012

Performed as part of Some sweet day

The Museum of Modern Art, New York, NY

October 15 – November 4, 2012 

Photo: Julieta Cervante