“The Secret Language of an Abstract Expressionist Master” New York Magazine: The Cut, feature by Morgan Sykes
February 23, 2018
“From Afar, It’s Calligraphy. Up Close...” The New York Times, feature by Roberta Smith
April 7, 2017
"Sue Williams" The Brooklyn Rail, review by Jessica Holmes
April 1, 2017
“Sue Williams” ArtReview, review by Ashton Cooper
May 2017
"Trauma Turned Abstract: The Painterly Evolution of Sue Williams” Mutual Art, feature by Natalie Hegert
December 14, 2016
“Sue Williams: 303 Gallery” Artforum, review by Barry Schwabsky
April 2014
“Sue Williams: WTC, WWIII, Couch Size" ArtReview, review by Joseph Akel
April 2014
“Sue Williams” CR Fashion Book, interview by Heather Harmon
March 13, 2014
"The Sum of Its Parts: An Interview with Sue Williams" Art in America, interview by Carly Gaebe
January 15, 2014
"Sue Williams: Regen Projects" American Contemporary Art, review
December 2011
"Sue Williams" Art in America, review by Nancy Princenthal
December 2010
"Sue Williams: 'Al-Qaeda Is the CIA'" The New York Times, review by Roberta Smith
October 22, 2010
"Sue Williams" frieze, review by Quinn Latimer
October 2010
“Nate Lowman Interviews Sue Williams” Art in America, interview by Nate Lowman
September 17, 2010
"Sue Williams" Art in America, review by Brian Boucher
November 2008
“Painting in the Interrogative Vein: The Recent Work of Sue Williams” Border Crossings, feature by Barry Schwabsky
August 2009
"Sue Williams: Project for the New American Century" The New York Times, review by Roberta Smith
October 10, 2008
“Art Reviews” The Los Angeles Times, review by Susan Kandel
November 12, 1992
“Pretty Colors, Unpretty World” The Village Voice, feature by Michael Spies
September 2008
"Sue Williams" Art Papers, review by Christopher French
May/June 2009
"Sue Williams" Art in America, review by Brian Boucher
November 2008
"Sue Williams" Artforum, review by Suzanne Hudson
December 2005
“A Letter from Sue Williams” Spike Art Quarterly, interview by Rita Vitorelli
Summer 2005
"Sexually explicit, in that very abstract way" The Los Angeles Times, review by Holly Myers
March 28, 2003
“IN THE STUDIO WITH: SUE WILLIAMS; In a Cheerful Groove, With a Plan and Serendipity” The New York Times, feature by Michael Kimmelman
December 28, 2001
"ART IN REVIEW; Sue Williams" The New York Times, review by Michael Kimmelman
December 1, 2000
“Domestic Horrors” Parkett, feature by Leslie Camhi
1997
"Sue Williams' In-Your-Face Art" San Francisco Chronicle, review by Kenneth Baker
July 25, 1993
"Body Language" ArtWeek, review by Lane Barden
January 7, 1993
"It's a Bash" LA Weekly, review by Ralph Rugoff
December 4 – 10, 1992
"Reverse Backlash: Sue Williams' Black Comedy of Manners" Artforum, feature by Dan Cameron
November 1992
"Painted Bad: Laura Cottingham on Sue Williams" frieze, feature by Laura Cottingham
June – August 1992
