Selected Solo Publications:



Dibbits, Taco, ed., Anish Kapoor, published by Marsilio, Venice, Italy, 2022



Kapoor, Anish, Uluru & Kata Tjuta Photographs, published by Steidl, Göttingen, Germany, 2020



Codognato, Mario, ed., Anish Kapoor, published by Manfredi Edizioni, Cesena, Italy, 2017



Bhabha, Homi K., Jaime Soler Frost, Pablo Soler Frost, Julia Kristeva, Catherine Lampert, Cecilia Delgado Masse, Douglas Maxwell, Lee Ufan, and Marina Warner, Anish Kapoor: Archaeology, Biology, published by Museo Universitario Arte Contemporáneo, Mexico City, Mexico, 2016



Pacquement, Alred, ed., Anish Kapoor: Versailles, published by Éditions de la Réunion des musées nationaux - Grand Palais, Paris, France, 2015


Symphony for a Beloved Sun, Walther König, Cologne, Germany, 2013.


Monumenta 2011: Anish Kapoor: Grand Palais: Leviathan, essays by Jean de Loisy and 
Marc Sanchez, RMN-Grand Palais/CNAP, Paris, France, 2011. 


Bhabha, Homi, Nicholas Bourriaud, Jean de Louisy, Sir Norman Rosenthal, Anish Kapoor, Royal Academy Publications, London, UK, 2009. 


Place/No Place: Anish Kapoor in Architecture, Riba Trust & Deutsche Bank, London, UK, 2008.


Anish Kapoor: My Red Homeland, Centro de Arte Contemporáneo de Málaga, Málaga, Spain, 2006.


WHITEOUT, Barbara Gladstone Gallery, New York, NY, 2004.


My Red Homeland, Kunsthaus Bregenz, London, UK, 2003.
Anish Kapoor, The National Archaeological Museum, Naples, Italy, 2003.


Taratantara: Anish Kapoor at Naples, Berlin Press, Berlin, Germany, 2001.


Anish Kapoor, essays by Homi. K. Bhabha and Pier Luigi Tazzi, Hayward Gallery and University of California Press, Berkeley, CA, 1998
Anish Kapoor, essays by Deepak Ananth, Marie-Laure Bernadac, Homi K. Bhabha, Renaud Camus, Henry-Claude Couseau, Yehuda E, Safran, CAPC, Musee d'art contemporain de Bordeaux, Bordeaux, France, 1998.


Anish Kapoor, essay by Germano Celant, Fondazione Prada and Edizioni Charta, Milan, Italy, 1996.     


Anish Kapoor, essay by Camiel van Winkel, De Pont Museum voor Hedendaagse Kunst, Tilburg, Netherlands, 1995, 


Anish Kapoor, essay by Pier Luigi Tazzi, San Diego Museum of Contemporary Art, San Diego, CA, 1993. 


Anish Kapoor: Obra Reciente, Galeria Soledad Lorenzo, Madrid, Spain, 1992. 


Anish Kapoor, Centre de Arte Reina Sofia, Madrid, Spain, 1991. 


Anish Kapoor, texts by Marjorie Allthorpe-Guyton and Thomas McEvilley, British Pavilion, XLIV Venice Biennale, The British Council, London, UK, 1990
Anish Kapoor, drawings, text by Jeremy Lewison, Tate Gallery, London, UK, 1990. 


Anish Kapoor, text by Pier Luigi Tazzi, Kohji Ogura Gallery, Nagoya, Japan, in cooperation with Lisson Gallery, London, UK, 1989. 


Anish Kapoor: Works on Paper 1975-1987, interview by Richard Cork, Ray Hughes Gallery, Brisbane, Australia, 1987. 


Anish Kapoor, texts by Arne Malmedal and Lynne Cooke, Kunstnernes Hus, Oslo, Norway, 1986. 
Anish Kapoor: Recent Sculpture and Drawings, text by Helaine Posner, University Gallery, Fine Arts Center, University of Massachusetts, Amherst, Amherst, MA, 1986. 
Anish Kapoor, text by Helen Ray, Albright-Knox Art Gallery, Buffalo, NY, 1986. 


Anish Kapoor, texts by Jean-Christophe Ammann, Amanda Coomaraswamy, and Alexander von Grevenstein, Kunsthalle, Basel, Basel, Switzerland, 1985. 


Anish Kapoor, text by Michael Newman, organized by the Rotterdam Arts Council, Beeldhouwwerken, Galerie 't Venster, Rotterdam, Netherlands, 1983. 


Selected Catalogues and Publications: 



Burkeman, DB, Art Sleeves: Album Covers by Artists, published by Rizzoli, New York, NY, 2021 [ill.]



Rippon, Jo, The Art of Protest, foreword by Anish Kapoor, published by Palazzo Editions, London, UK, 2019 [ill.]



Daniel Buren & Anish Kapoor, published by Maretti Editore, Imola, Italy, 2018 [ill.]



Campbell, Nancy, Sculptors in Print, published by Marlborough, London, UK, 2016, pp. 16 – 23 [ill.]



Shapira, Sarit, ed., Babel: Works from the Igal Ahouvi Art Collection, published by The Igal Ahouvi Art Collection, Tel Aviv, Israel, 2015, p. 167 [ill.]

Buchmann, Sabeth, Thomas D. Trummer, and Wolfgang Ullrich, KölnSkulptur, published by Walther König, Cologne, Germany, 2015

Scala, Mark W., ed., Phantom Bodies: The Human Aura in Art, published by Vanderbilt University Press, Nashville, TN, 2015

Fernández Torres, Jorge, ed., 12th Havana Biennial, published by Maretti Editore, Falciano, San Marino, 2015

Baker, George, Ann Goldstein, Michael Maltzan, and Shaun Caley Regen, Regen Projects 25, published by Prestel, New York, NY, 2015



Grachos, Louis, and Heather Pesanti, A Secret Affair: Selections from the Fuhrman Family Collection, published by The Contemporary Austin, Austin, TX, 2014


Labaco, Robert T., Out of Hand: Materializing the Postdigital, published by The Museum of Arts and Design, New York, NY, 2013
Holzwarth, Hans-Werner, ed., Art Now 4, Taschen, Cologne, Germany, 2013, p. 236 – 239.


Bonami, Francesco, Think Twice: Twenty Years of Contemporary Art from Collection Sandretto Re Rebaudengo, published by Whitechapel Gallery, London, UK, 2012


Fineberg, Jonathan, Art Since 1940: Strategies of Being, Third Edition, Laurence King Publishing Ltd., London, UK, 2011, p. 436.


Gielen, Denis, Atlas of Contemporary Art for Use by Everyone, Musée des Arts Contemporains au Grand-Hornu, Tournai, Belgium, August 2007, p. 93, 165, 174, 354 [ill.].
Fast Forward: Contemporary Collections for the Dallas Museum of Art, published by the Dallas Museum of Art, Dallas, Texas, 2007, p. 241 [ill.].
Vervoordt, Axel, and Mattijs Visser, Artempo: Where Time Becomes Art, published by Axel Vervoordt, Antwerp, Belgium, in association with Mer. Paper Kunsthalle, Ghent, Belgium, 2007, pp. 31 – 32, 35, 98, 166 – 167 [ill.].


Surprise Surprise, curated by Rob Bowman and Jens Hoffman, published by the Institute of Contemporary Arts, London, UK, 2006.


Richer, Francesca and Matthew Rosenzweig, eds., No. 1: First Works by 362 Artists, published by D.A.p., New York, NY, 2005, p. 195 [ill.].
Universal Experience, curated by Francesco Bonami, published by Museum of Contemporary Art, Chicago, Chicago, IL, p. 47 & 153 [ill.]. 
McDaniel, Craig and Jean Robertson, Themes of Contemporary Art: Visual Art After 1980, Oxford University Press Inc., New York, NY, 2005, pp. 9 – 10, 16, 208 [ill.].


Taylor, Brandon, Art Today, Laurence King Publishing LTD., London, UK, p. 2,     106, 231 [ill.].
Florence, Penny, Sexed Universals in Contemporary Art, Book Works, New York, NY, 2004, pp. 129 – 164 [ill.].


Vanitas: Meditations of Life and Death in Contemporary Art, published by Virginia Museum of Fine Arts, Richmond,VA, 2000, p. 54 [ill.].
00, essay by Klaus Kertess, Barbara Gladstone Gallery, New York, NY, 2000.   


Causey, Andrew, Sculpture Since 1945, published by Oxford University Press, Fourth Edition, Oxford, UK, and Harry N. Abrams, New York, NY, 1998.


The 20th Century Art Book, Phaidon, London, UK, 1996. 
Miroslav Balka, Antony Gormley, Anish Kapoor, Betong, Malmö Konsthalls katalog, Malmö, Sweden, no. 174, 1996. 


Drawing the Line against AIDS, 45th Venice Biennale, Peggy Guggenheim Collection, Venice, Italy, 1994. 


Another World, text by Yuko Hasegaway, Mito Annual '93, Art Tower Mito, Mito, Japan, 1993. 
Art for Work: The New Renaissance in Corporate Collecting, text by Marjory Jacobson, Harvard Business School Press, Cambridge, MA, p. 38 [ill.]. 
British Sculpture from the Arts Council Collection, text by James Roberts, Arts Council of Great Britain, London, UK, 1993. 


Anish Kapoor & Ban Chiang, text by Angel Garcia, Feuerle, Cologne, Germany, 1991. 
Wheeler, Daniel, Art Since Mid-Century: 1945 to the Present, The Vendome Press, New York, NY, 1991. 
La Sculpture Contemporaine Apres 1970, Fondation Daniel Templon, Frejus, France, 1991. 
Trans/Mission, Rooseum, Malmö, Sweden


Affinities and Intuitions: The Gerald S. Elliott Collection, Chicago: The Art Institute of Chicago, Chicago, IL, with Thames and Hudson, London, UK, 1990.
Blau: Farbe der Ferne, Heidelberg, Wunderhorn, Germany, 1990.  
Contemporary British Art for Japan, Setagaya Museum, Tokyo, Japan, 1990. 
History of Modern Art, Harry N. Abrams, New York, NY, 1990.
Surrogaat/Surrogate: 15 Years of Galerie 't Venster, from Kiefer to Koons, SDU Uitgeverij, Amstelveen, Netherlands, 1990.


Synnyt - Sources of Contemporary Art, Museum of Contemporary Art Kiasma, Helsinki, Finland, 1989 [ill.].


Britannica. 30 Ans de Sculpture, texts by Francoise Cohen, Lynne Cooke, and Catherine Grenier Musée Malraux, Le Havre, France, Musée d'Art, d'Histoire et d'Archéologie, Évreux, France, and Ecole Nationale Superieure d'Architecture de Normandie, Normandie, France, 1988. 
British Now: Sculpture et Autres Dessins, text by Sandra Grant Marchand, Musee d'art Contemporain de Montreal, Montreal, Canada, 1988. 
Carnegie International, text by Kellie Jones, Carnegie Museum of Art, Pittsburgh, PA, 1988.
Barzel, Amnon, ed., Europa oggi/Europe now, Museo d'Arte Contemporanea, Prato, Italy, 1988. 



A Quiet Revolution: British Sculpture Since 1965, text by Lynn Cooke, Museum of 
Contemporary Art, Chicago, IL and San Francisco Museum of Modern Art, San 
Francisco, CA, 1987. 
British Art of the 1980's, text by Lynne Cooke, The British Council, London, UK, 1987.
Crone, Rainer, ed., Simila - Dissimila, text by Cornelia Lauf, Kunsthalle Düsseldorf, Düsseldorf, Germany, 1987. 


Prospect '86. Eine Internationale Austellung Aktueller Kunst, Frankfurter Kunstverein, Frankfurt, Germany, 1986. 
Skulptur - 9 Kunstnere fra Storbrittanien, Louisiana Museum of Modern Art, Humlebaek, Denmark, 1986. 
Sonsbeek 1986, International Sculpture Exhibition. Veen Reflex, Utrecht, Netherlands, 1986. 
The Tate Gallery: An Illustrated Catalogue of Acquisitions 1982-84, Tate Gallery, London, UK, 1986, pp. 209 – 211. 


Anish Kapoor, text by Richard Francis, Douglas Hyde Gallery, Dublin, Ireland, 1985. 
La Nouvelle Biennale de Paris, Paris, France, 1985.
Deacon, Richard, Shirazeh Houshiary, Anish Kapoor, The Poetic Object, Douglas Hyde Gallery, Dublin, Ireland, 1985. 

The British Art Show: Old Allegiance and New Directions 1979-1984, text by Marjorie Allthorpe-Guyton, Alexander Moffat, and Jon Thompson, Arts Council of Great Britain, London, UK, 1984. 
An International Survey of Recent Painting and Sculpture. Text by Kynaston McShine, Museum of Modern Art, New York, NY, 1984. 


The Sculpture Show, texts by Kate Blacker, Fenella Crichton, Paul de Monchaix, Nena Dimitrijevic, Stuart Morgan, Deanna Petherbridge, Bryan Robertson, and Nicholas Wadley, The Arts Council of Great Britain, London, UK, 1983. 
Transformations: New Sculpture from Britain, text by Lewis Biggs, Lynne Cooke, Mark Francis, John McEwen, Stuart Morgan, Nicholas Serota, and John Roberts, 17th Bienal de São Paolo, São Paolo, Brazil, and The British Council, London, UK, 1983. 


XL Biennale di Venezia, text "Aperto '82" by Tommaso Trini, Venice, Italy, 1982. 


Objects and Sculpture, texts by Lewis Biggs, Iwona Blazwick and Sandy Nairne, Institute of Contemporary Art, London, UK, and Arnolfini Gallery, Bristol, UK, 1981.


Selected Articles and Reviews:



Supateerawanitt, Arpiwach. “The art you need to see at Bangkok Art Biennale 2020.” TimeOut (November 16, 2020) [ill.] [online]

Turner, Sarah. “A Tale of Two Outdoor Art Exhibitions.” Forbes (September 28, 2020) [ill.] [online]

Shurvell, Joanne. “Anish Kapoor’s Largest Outdoor Sculpture Show Includes New Work Plus Famous Sky Mirror.” Forbes (July 20, 2020) [ill.] [online]

Mantell, Rowan. “Anish Kapoor exhibition: ‘It’s one of the greatest shows he has done, and it’s here in Norfolk.’” Eastern Daily Press (July 11, 2020) [ill.] [online]

Chan, TF. “Anish Kapoor on myth, meaning and melancholia.” Wallpaper (June 8, 2020) [ill.] [online]

Harvey, Chris. “Anish Kapoor interview: ‘How can a bit of paint on a canvas be worth £50 million?’” The Telegraph (May 23, 2020) [ill.] [online]

Hutton, Belle. “In Pictures: Tate’s Top Ten Turbine Hall Moments.” AnOther Magazine (May 11, 2020) [ill.] [online]

Keener, Katherine. “Anish Kapoor to unveil Vantablack art at Venice Biennale,” Art Critique (March 15, 2020) [ill] [online]

Crompton, Sarah. “Anish Kapoor: 'Artists are not makers of luxury goods.'” The Guardian (March 14, 2020) [ill.] [online]

Jhala, Kabir. “Anish Kapoor to unveil world's 'blackest' sculptures during 2021 Venice Biennale.” The Art Newspaper (March 11, 2020) [ill.] [online]

“Anish Kapoor.” Whitewaller No. 31, Frieze Los Angeles issue (February 2020) p. 76 [ill., cover]

Theis, Brooke. “Anish Kapoor’s sculptures to go on display at Houghton Hall.” Town & Country (February 20, 2020) [ill.] [online]

Fitzpatrick, Kyle Raymond. “Beyond Frieze: Art Highlights in LA.” Cool Hunting (February 11, 2020) [ill.] [online]

Heitzman, Lorraine. “Anish Kapoor at Regen Projects.” Art and Cake (January 14, 2020) [ill.] [online]

Bruckner, Karen. “5 design things to do: Jan 9 – 15.” KCRW (January 6, 2020) [ill.] [online]



Santillana, Maria Garcia. “Doubt and depth as Anish Kapoor’s Surge arrives at Fundación Proa.” Buenos Aires Times (November 25, 2019) [ill.] [online]

Holland, Oscar, and Xiong Yong. “‘Part of the conversation’: Outspoken artist Anish Kapoor opens retrospective in Beijing.” CNN Style (November 20, 2019) [ill.] [online]

Yau, Elaine. “Artist Anish Kapoor plays with reality in his debut solo show in China, which brings his mirror sculptures indoors for the first time.” South China Morning Post (November 15, 2019) [ill.] [online]

“Anish Kapoor at Lisson Gallery.” Arte Fuse (November 6, 2019) [ill.] [online]

Goldstein, Andrew. “The Art Angle Podcast: Artist Anish Kapoor on Showing in China, Working With the World’s Blackest Material, and the ‘Disease of Nationalism’ in 2019.” artnet News (November 5, 2019) [ill.] [online]

Holmes, Helen. “New York Gets Its Own Version of Anish Kapoor’s ‘Bean’ — But With a Difference.” Observer (November 2, 2019) [ill.] [online]

Westall, Mark. “Anish Kapoor to open a major solo exhibition in Beijing at the central Academy of Fine Arts (CAFA) Museum and Taimiao Art Museum of the Imperial Ancestral Temple.” FAD magazine (October 14, 2019) [ill.] [online]

Carodine, Victoria. “DAM’s Newest Exhibition Challenges Visitors to Think About Light.” 5280 (May 31, 2019) [ill.] [online]
Pes, Javier. “Anish Kapoor Will Become the First Foreign Artist to Show at Beijing’s Forbidden Palace.” Artnet News (May 14, 2019) [ill.] [online] 
“Affordable Alternatives to the Big-Name Art Fairs.” The New York Times (May 2019) p. C21 
Jones, Jonathan. “Anish Kapoor's Brexit artwork: Britain on the edge of the abyss.” The Guardian (April 3, 2019) [ill.] [online] 
Khan, Tabish. “Mirrors, Selfies And Architecture: Pitzhanger Manor Reopens With An Anish Kapoor Exhibition.” Londonist (March 14, 2019) [ill.] [online] 
Frankel, Eddy. “Anish Kapoor Review.” Time Out London (March 13, 2019) [ill.] [online] 
Jeffries, Stuart. “Anish Kapoor: ‘If I was a young Muslim, would I feel angry enough to join Isis? I would at least think about it’.” The Guardian (March 13, 2019) [ill.] [online] 



Thomson, Lizzie. “Sir John Soane's Manor House and Gallery to reopen next year with an exhibition by Anish Kapoor.” Evening Standard (December 5, 2018) [ill.] [online]

Mitchell, Heidi. “Out of the Gallery, Into the Streets.” The New York Times (October 28, 2018) p. F12

Gayford, Martin. “There’s almost nothing in this Hayward show – and that’s the point.” The Spectator (September 29, 2018) [ill.] [online]

Campbell-Johnston, Rachel. “Visual art review: Summer Exhibition 2018.” The Times (June 5, 2018) [ill.] [online]

Testado, Justine. “The Museum of Fine Arts, Houston gets its own giant bean sculpture by Anish Kapoor.” Archinect (March 27, 2018) [ill.] [online]

Glentzer, Molly. “Glassell School of Art gives Houston a grand new public space.” Houston Chronicle (May 14, 2018) [ill.] [online]

Kennicott, Philip. “One of the world’s greatest sculptors warns America about the NRA.” The Washington Post (March 12, 2018) [ill.] [online]

“Anish Kapoor Donates $1 Million Toward Alleviating Refugee Crisis.” Artforum (January 18, 2018) [ill.] [online]


Farago, Jason. “‘Anish Kapoor: Decension’.” The New York Times (July 7, 2017) p. C20

Ayers, Robert. “A Hole Beyond Measure: Anish Kapoor on His Watery New ‘Descension’ and the Intersection of Meaning and Not-Meaning.” ARTnews (May 25, 2017) [ill.] [online]

Mull, Olivia. “’It is necessary to oppose Trump’ says Anish Kapoor.” Dezeen (May 3, 2017) [ill.] [online]

Gendall, John. “Anish Kapoor Explains His Latest Installation of an Endless Whirlpool.” Architectural Digest (May 2, 2017) [ill.] [online]

Miles, Ned Carter. “All Form Is Good: Interview with Anish Kapoor.” ArtAsiaPacific (April 18, 2017) [ill.] [online]

Wolkoff, Julia. “Artworld: Awards.” Art in America (April 2017) p. 128

Field, Marcus. “Anish Kapoor, exhibition review: Silicone slaughter at the gates of hell.” London Evening Standard (March 30, 2017) [ill.] [online]

Judah, Hettie. “He’s Furious Over Brexit, But Anish Kapoor Says Don’t Look at His Art for Political Messages.” Artnet News (March 30, 2017) [ill.] [online]

Mafi, Nick. “Anish Kapoor Creates an Endless Whirlpool That Deceives Our Senses.” Architectural Digest (February 17, 2017) [ill.] [online]



Batten, John. “Anish Kapoor: sculptures that explore space and mirrors.” Post Magazine | South China Morning Post (October 8, 2016) [ill.] [online]

Baumgardner, Julie. “Anish Kapoor reflects on Korea's maturing art identity, as Kukje Gallery leads the charge.” Wallpaper* (September 26, 2016) [ill.] [online]

Delaney, Brigid. “'You could disappear into it': Anish Kapoor on his exclusive rights to the 'blackest black'.” The Guardian (September 25, 2016) [ill.] [online]

Mchugh, Fionnuala. “Sculptor Anish Kapoor on sex, race, big art and Brexit.” Post Magazine | South China Morning Post (September 23, 2016) [ill.] [online]

Corbett, Rachel. “As Anish Kapoor Opens Show in Seoul, He Considers Skipping China Biennial.” Blouin Artinfo (September 6, 2016) [ill.] [online]

Cascone, Sarah. “Anish Kapoor Reveals His Hopes for Vantablack at Seoul’s Kukje Gallery.” Artnet News (September 5, 2016) [ill.] [online]

Pskowski, Martha. “After the Crowds: Anish Kapoor at MUAC through Nov. 27.” The News Mexico (August 13, 2016) [ill.] [online]

Civre, Carol. “Gallery Hopping: Anish Kapoor Presents the 'Non-Object' at Lisson Gallery.” Artnet News (June 23, 2016) [ill.] [online]

“Diary: Anish Kapoor.” Mousse Magazine (Summer 2016) p. 306 [ill.] 

Duray, Dan. “Monster sculptures: Serra, Kapoor and Webster in New York.” The Art Newspaper (June 2, 2016) [ill.] [online]

Valacchi, Maria Chiara. “Critics’ Picks: Anish Kapoor.” Artforum (June 2016) [ill.] [online]

Jones, Caroline A. “Anish Kapoor: Archaeology, Biology.” Artforum (May 2016) p. 168



De Boer, Guido. “Moscow Welcomes the Mesmerizing Art of Anish Kapoor.” The Moscow Times (October 6, 2015) [ill.] [online]

Small, Rachel. “Anish Kapoor Colors Russia Red.” Interview Magazine (September 28, 2015) [ill.] [online]

Zara, Janelle. “Anish Kapoor on Vandalism, Instagram, His Moscow Retrospective, and ‘The Long, Long View of Poetic Intent’.” Artnews (September 22, 2015) [ill.] [online]

Brown, Mark. “Ai Weiwei and Anish Kapoor lead London walk of compassion for refugees.” The Guardian (September 17, 2015) [ill.] [online]

Kapoor, Anish. “My artwork has been vandalised. How should I respond?.” The Guardian (June 19, 2015) [ill.] [online] 

Martin, Hannah. “Anish Kapoor Installation Opens at Versailles.” Architectural Digest (June 15, 2015) [ill.] [online]

Hegert, Natalie. “Site Specifics: Anish Kapoor at Versailles 2015.” The Huffington Post (June 10, 2015) [ill.] [online]

Barbieri, Claudia. “Anish Kapoor Avoids Niceties at Versailles.” International New York Times (June 5, 2015) [ill.] [online]

Grey, Tobias. “Anish Kapoor Redecorates Versailles’ Gardens.” The Wall Street Journal (June 4, 2015) [ill.] [online]

Buffenstein, Alyssa. “See Anish Kapoor's Gruesome, Chaotic, and Mesmerizing Sculptures at Versailles.” Artnet News (June 3, 2015) [ill.] [online]

Grey, Tobias. “Anish Kapoor Redecorates Versailles’ Gardens.” The Wall Street Journal (June 4, 2015) [ill.] [online]

Kapoor, Anish. “My artwork has been vandalized. How should I respond?” The Guardian (June 19, 2015) [ill.] [online]

Bronner, Julian Elias and Anish Kapoor. “Anish Kapoor.” Artforum (April 3, 2015) [ill.] [online]

Vali, Murtaza. “Kochi-Muziris Bienniale.” Artforum (March 2015) pp. 277 [ill.]

Mayer, Rus. “Recent works by British artist Anish Kapoor are on view at a compelling new show.” Architectural Digest (February 2, 2015) [ill.] [online]

Li, Zoe. “You Must See Anish Kapoor's Perpetual Black Whirlpool at Kochi-Muziris Biennale—It's Amazing.” Artnet News (February 12, 2015) [ill.] [online]

Frank, Peter. “Coming Out: Anish Kapoor (January 31 – March 7).” Fabrik (Issue 28, 2015) pp. 108 – 109 [ill.]



Duray, Dan. “Code Breaker.” Artforum (October 2014) p. 247 [ill.]

Kapoor, Anish. “In His Words | The Art of Inscrutability.” The New York Times Style Magazine (June 4, 2014) [ill.] [online]

Aspden, Peter. “Anish Kapoor: art therapy with Syrian refugee children.” Financial Times (November 14, 2014) [ill.] [online]



Ng, David. "Dallas Cowboys Unveil Anish Kapoor Sculpture at AT&T Stadium." (October 15, 2013) [ill.] [online]
Maxey, Kyle, "Inflatable Concert Hall,", October 2, 2013 [online] [ill.].
"'Ark Nova,' The World's First Inflatable Concert Hall, To Tour Earthquake-Devastated Japan,", September 30, 2013 [online] [ill.].
Zolfagharifard, Ellie, "The World's first Inflatable Concert Hall Designed With Help of Anish Kapoor Arrives in Japan's Disaster-Hit North Eastern Coast,", September 25, 2013 [online] [ill.].
Demetriou, Danielle, "Japan Opens World's First Inflatable Concert Hall to Tour Flood-Hit Area," The Telegraph, September 24, 2013 [ill.].
Creahan, D., "Berlin – Anish Kapoor: 'Kapoor in Berlin' at Martin-Gropius-Bau Through November 24th, 2013," Art Observed, August 14, 2013.
Bermant, Yoel, "Queen Elizabeth II Recognizes Sculptor Anish Kapoor's Contribution To Art By Honoring Him With A Knighthood," Jewish Business News, June 16, 2013.
Anish Kapoor Honoured With Knighthood," The Indian Express, June 15, 2013.
"Anish Kapoor Honoured to Be Knighted," Asian Image, June 14, 2013.
Connolly, Kate, "Sculptor Anish Kapoor's Berlin Show," South China Morning Post Online, June 2, 2013.
Marsh, Sarah, "Anish Kapoor Draws on Berlin's Dark History In New Show," Reuters Online, May 24, 2013.
Connolly, Kate, "Anish Kapoor in Berlin: 'in short, Britain's fucked'," The Guardian Online, May 15, 2013.
Kale, Neha, "Anish Kapoor at the MCA," Broadsheet Sydney Online, January 7, 2013.


Sansom, Anna, "Anish Kapoor," Whitewall, Fall 2011, pp. 96 – 105.
Rousseaux, Patricia, "No Limits in Basel," Arte!Brasileiros, No. 10, July–August 2011, pp. 32 – 36 [ill.].
De Arruda, Tereza, "India Art Summit," Arte!Brasileiros, No. 9, May–June 2011, pp. 44 – 46 [ill.].
Schwerfel, Heinz Peter, "The Ulysses Syndrome: Anish Kapoor in India," RES, No. 7, June 2011, pp. 46 – 55.
Genocchio, Benjamin, "Monuments to Now," Art + Auction, Vol. 34, No. 11, July/August 2011, p. 63 [ill.].
Garnett, Natasha, "Anish in Paris," The Wall Street Journal, April 28, 2011.
Hudson, Mark, "Anish Kapoor," The Telegraph, May 11, 2011.
Rahman, Maseeh, "Inside the Belly of a Whale,", June 2, 2011.


Khasnis, Giridhar, "Resurgence of hope," Deccan Herald, December 25, 2010.
Sorabjee, Deepika, "Anish Kapoor Exhibit: 'Rarely do we get a show of this magnitude     in India',", December 1, 2010.
Waters, Florence, "Anish Kapoor Saves His Best for India," The Telegraph, November 3, 2010.
Raaj, Neelam, "Anish Kapoor's Sky Mirror Comes to India," The Times of India, October 25, 2010.
"The Power 100," ArtReview, Issue 45, November 2010, pp. 132 – 133, 136 [ill.].
Millard, Coline, "London's Lightning Rod," Art + Auction, October 2010, p. 29 [ill.].
Lala, Kisa, "Giants," SPREAD ArtCulture, Issue 5, 2010, pp. 52 – 55 [ill.].
Bronner, Ethan, "Cleaning Up Intersection of Ancient and Modern," The New York Times, July 21, 2010, p. C1 [ill.]. 
"Not to Miss: Anish Kapoor Guggenheim Bilbao," Serene?, Summer 2010, p. 16 [ill.].


Gaskell, Ivan, "Anish Kapoor," ArtUS, Fall/Winter 2009, p. 26.
Johnson, Ken, "Inside, Outside, All Around the Thing," The New York Times, October 23, 2009, p. C23, C25.


Jones, Caroline, "Anish Kapoor," Artforum, XLVII, No. 2, October 2008, p. 377 [ill.].
Poddar, Sandhini. “The Fiction of Auto-Generation: Anish Kapoor.” ArtAsiaPacific (September/October 2008) [ill.] [online]

Smith, Roberta, "Public Art, Eyesore to Eye Candy," The New York Times, August 24, p. 1, 24.
Smith, Roberta, "The Sculpture as Magician," The New York Times, May 30, 2008, p. B23, B25 [ill.].


Smith, Roberta, "It's Just Clay, but How About a Little Respect?" The New York Times, September 7, 2007, p. B27, B36.
Godfrey, Mark, "Out of the Past," Artforum, September 2007, pp. 398 – 401 [ill.].
Bryant, Eric, "Anish Kapoor: Gladstone," ARTnews, May 2007, p. 156 [ill.].
Smith, Roberta, "Blurring Time and Place in Venice," The New York Times, August 15, 2007, p. B1, B5 [ill.].


Sheets, Hilarie M., "Anish Kapoor:  Public Art Fund at Rockefeller Center," ARTnews, December 2006, p. 148, 150 [ill.].
Allsop, Laura, "Sky Fidelity: The World Turned Upside Down," ArtReview, September 2006, pp. 37 – 38 [ill.].
Kennedy, Randy, "A Most Public Artist Polishes A New York Image," The New York Times, August 20, 2006, p. 1, 25 [ill.].
Jury, Louise, "Exhibition Paints Major Artists in a Fresh Light," The Independent, August 1, 2006 [ill.].
Falconer, Morgan, "Never a Hirst, Is it?" The Times London, August 1, 2006 [ill.].
Graham-Dixon, Andrew, "Beyond Formaldehyde," Seven, July 30, 2006 [ill.].
Schneider, Keith, "To Revitalize a City, Try Spreading Some Mulch," The New York Times, May 17, 2006, p. 6 [ill.].
Frank, Peter, "Anish Kapoor," LA Weekly, March 31 – April 6, 2006, p. 70 [ill.].
Miles, Christopher, "Making Something Out of Nothingness," The Los Angeles Times, March 24, 2006, p. E15 [ill.].


García-Ormaechea, Carmen, "A Look at the History of Contemporary Indian Art," arco, Autumn 2005, pp. 7 – 10 [ill.].
Burnett, Craig, "Space Odyssey," ARTnews, vol. 104, no. 1, January 2005, pp. 112 – 115 [ill.].


Kuspit, Donald, "Anish Kapoor," Artforum, September 2004, p. 268 [ill.].
Wei, Lilly, "Anish Kapoor," ARTnews, September 2004, p. 20 [ill.]. 
Meyer, James, "No More Scale: The Experience of Size in Contemporary Sculpture," Artforum, Summer 2004, pp. 220 – 228 [ill.]. 
Camhi, Leslie, "Being and Nothingness," The Village Voice, May 28, 2004 [ill.].


Warner, Marina, "The Perforate Self or Nought is Not Naught," Parkett, Issue 69, 2003, pp. 126 – 139 [ill.].
Forster, Kurt W., "A Word in the Giant's Ear," Parkett, Issue 69, 2003, pp. 116 – 125 [ill.].
Bryson, Norman, "Kapoor's Vertigo," Parkett, Issue 69, 2003, pp. 104 – 115 [ill.].


Harris, Susan, "Anish Kapoor at Barbara Gladstone," Art in America, March 2002, p. 122 [ill.].
Sirmans, Franklin, "Anish Kapoor: Barbara Gladstone Gallery," tema celeste, January/February 2002, p. 78 [ill.]. 


Hettig, Frank-Alexander, "Anish Kapoor," Kunstforum, October–December 2000, p. 421 
Carasso, Roberta, "Anish Kapoor," Art Issues, issue 64, September–October 2000, p. 49 [ill.]. 
p.l, David, "Some Theatrical Reflections on Alienation and Illusion," The Los Angeles Times, June 16, 2000, p. F1 [ill.].
Groark, Virginia, "It ain't heavy—it's our newest sculpture," Chicago Tribune, February 25, 2000 [ill.].


Ossiane, Ward, "MM=2000=massive monuments," The Art Newspaper, December 1999.
Fornek, Scott, "Chicago Sun-Times Readers Critique the City's Public Works of Art," Chicago Sun-Times, November 12, 1999 [ill.].
Forte, Lorraine, "Newest Art Icon to Reflect our World," Chicago Sun-Times, October 21, 1999. 
Patner, Andrew, "Artist Considered to Be Among Best Sculptors," Chicago Sun-Times, October 21, 1999.
Cork, Richard, "Red Sky's Last Night, Our Delight," The Times London, September 1, 1999, p. 37. 
Thorncroft, Anthony, "An Artist at Your Workstation," Financial Times, August 2, 1999, p. 14.
Gayford, Martin, "Crimson Tide Hits Tyneside," Daily Telegraph, July 28, 1999.
"Home is Where Modern Art Is," Birmingham Express & Star, July 29, 1999.
"New Home is Where the Art Is," Eastern Daily Press, July 28, 1999.
Lee, Vinny, "Hechter's House," The Times - Magazine, July 24, 1999.
Barr, Gordon, "Mill's Monster is Plastic and It's Fantastic," Newcastle Evening Chronicle, July 21, 1999.
Gayford, Martin, "Crimson Tide Hits Tyneside," Daily Telegraph, July 28, 1999, p. 24.
King, Chris Savage, "The Class Acts of a Classless Art," The Independent, July 23, 1999, p. 5. 
Ungoed-Thomas, Jon, "Trumpet Sculpture Blows an Arts Council Bundle," The Sunday Times, July 11, 1999, p. 9
Thorncroft, Anthony, "An Irreverent Peek Behind the Installation," Financial Times, June 23, 1999.
"Art in Church," The Tablet, June 5, 1999, p. 776.
"It Was Them," Art Monthly, no. 227, June 1999, pp. 15 – 16.
Maio, Fernanda, "Anish Kapoor," Arte Iberica, June 1999.
Allison, Phil, "Upfront," Tate, Summer 1999.
Spalding, Frances, "A Cast of Millions," The Independent, May 25, 1999.
"Kapoor Man's Monet," Evening Standard, May 24, 1999, p. 24.
Sewell, Brian, "Scandal of a Man Who Can't Stop Winning Art's Lottery," Evening Standard, May 18, 1999, p. 15.
Glover, Michael, "The Decline and Fall of the Watercolour," The Independent, May 11, 1999. 
Walter, Natasha, "Wait Till You See Inside," The Independent, May 9, 1999, p. 3.
Cork, Richard, "Artist's Impressions," The Times London, May 1, 1999, pp. 32 – 36.
Henry, Clare, "Museums Away," The Art Newspaper, no. 92, May 1999, p. 24.
"Anish Kapoor," Espresso, May 1999. 
Shulman, Ken, "Chic to Cheek," Artnews, April 1999, pp. 68 – 69. 
Bohm-Dunchen, Monica, "Sally Heywood and Ingrid Kerma," Modern Painters, vol. 12, no. 1, Spring 1999, pp. 115 – 116.
"Prime," Contemporary Visual Arts, issue 22, 1999, p. 88.
"Kapoor - Zen Interaction," Les cahiers de la sculpture, no. 1, pp. 12 – 15. 
"Anish Kapoor. Taratantara," Baltic Newsletter, no. 6, 1999. 
Nordgren, Sune, "Interview," Baltic Newsletter, no. 5, 1999. 


Simon Morrisey,"Anish Kapoor," Untitled, no. 16, 1998.
Kuspit, Donald, "Icon and Illusion,"  ARTNET, 1998. 
Plagens, Peter, "Anish Kapoor - Hayward Gallery," Artforum, September 1998.
Princenthal, Nancy, "Anish Kapoor at Barbara Gladstone," Art in America, No. 7, July 1998.
Morrissey, Simon, "Anish Kapoor - Hayward Gallery, London" UNTITLED contemporary art, no. 16, Summer 1998, p. 20. 
Lowe, Adam, "From Sculpture into Print: Anish Kapoor's Wounds and Absent Objects," Artbyte, June–July 1998, p. 12 – 14.
Lambirth, Andrew, "Embrace the Void," The Independent, April 25, 1998.
Packer, William, "How You See It, Now You Don't," Financial Times, Tuesday May 12, 1998.
Cotter, Holland, " Anish Kapoor," The New York Times, May 8, 1998, p. E33.
Gili, Oberto, "The Big Questions," Vogue, May 1998.
The Independent, January 24, 1998.


Bevan, Roger, "Kapoor Versus Armani," The Art Newspaper, Vol. VIII, No. 70, May 1997.
Leffingwell, Edward, "Report From Sao Paulo 'Nationalism And Beyond'," Art In America, No. 3, March 1997, p. 34 – 41.
Reindl, Uta M., "Anish Kapoor - Kunst-Station St. Peter," Kunstforum, Bd. 136, February – May 1997, p. 422 – 423.


Giorgio, Verzotti, "Fondazione Prada," Flash Art, no. 187, March – April 1996. 
Gaché, Sherry, "Interview: Anish Kapoor," Sculpture, Vol. 15, No. 2, February 1996. 

Mitchell, Charles Dee, "Report From Santa Fe–Introducing Site Santa Fe," Art in America, October 1995, pp. 44 – 47 [ill.].


Bonami, Francesco, "Jumping into the Void," Flash Art, November-December 1994, pp. 80 – 82 [ill.].
Lewallen, Constance, Contemporary Artists Review, no. 12, winter 1994.
"Anish Kapoor," Art News Japan, June 1994, p. 92.
Taplin, Robert, "Anish Kapoor at Barbara Gladstone, NY," Art in America, April 1994, p. 117.
Humphrey, David, "New York Fax," Art Issues, March–April 1994, pp. 32 – 33.
Melrod, George, "Reviews," Sculpture, March/April 1994, p. 44.
Kuspit, Donald, "Anish Kapoor," Artforum, Vol. 32, No. 7, March 1994, pp. 83 – 84. 
Kino, Carol, "Spiky Peaks and Shadowy Voids," ARTnews, March 1994 [ill.].


Smith, Roberta, "Anish Kapoor," The New York Times, December 24, 1993.
Kasther, Jeffrey, "Anish Kapoor - Lisson," Flash Art, Vol, XXVI, No. 171, Summer 1993, p. 122.
Extra BT, Vol. 45, No. 666, Winter 1993, pp. 12 – 18.
Batchelor, David, "Anish Kapoor," Galeries  Magazine, Summer 1993, p. 136.
Wills, Leslie, "The Mesmerizing Art of Anish Kapoor," The Weekly Journal, May 13, 1993. 
Bevan, Roger, "Kapoor at Lisson with Stage Designs," The Art Newspaper, April 1993. 
Mackrell, Judith, "River Run," The Independent, March 31, 1993. 
Forsha, Lynda, "Anish Kapoor/Museum of Contemporary Art, San Diego," Flash Art, Vol. XXVI, No. 168, January/February, p. 132 [ill.]. 
Duncan, Jim, "Sculptor's Granite Caves Pulls Meditative Viewers," Des Moines Business Record, January 25, 1993. 
Cohen, David, "Anish Kapoor," Sculpture, January-February 1993, pp. 30 – 37.


Jaisman, Yishai, "Anish Kapoor at Museum of Contemporary Art, San Diego," Art Issues, No. 25, November/December, p. 41 [ill.]. 
Newland, Joseph, "Spirit Forms: Anish Kapoor at the Museum of Contemporary Art, San Diego," Artweek, June 18, 1992, p. 15 [ill.].
Stals, Jose Lebrero, "Anish Kapoor," Lapiz, Year 9, No, 77, April 1992, pp. 76 – 77 [ill.]. 
Baker, Kenneth, "Between a Rock and a Soft Place," San Francisco Chronicle, February 26, 1992. 
Pincus, Rober L., "Kapoor's Fame Far Exceeds His Ego," The San Diego Union Tribune, February 2, 1992. 
Bevan, Roge, "Anish Kapoor Wins Turner Prize," The Art Newspaper, January 14, 1992. 
"Journey to Centre of a Void," The Independent, January, 8, 1992.
Clothier, Peter, "Metaphor or Metaphysics: Jackie Winsor and Anish Kapoor," Artspace, May/June 1992, pp. 44 – 49. 
Hoet, Jan, "Documenta als Motor," Kunstforum, No. 119, pp. 220 – 503 [ill.].


"L'art du Silence," La Suisse, December 31, 1991. 
Feaver, William, "View Down the Grant-Aid Road," The Observer, December 30, 1991. 
Spring, Justin, "Anish Kapoor at Barbara Gladstone," Artforum, December 1991, p. 137 [ill.].
Guilloteau, Claude, Affiches de Grenoble et du Dauphiné, December 28, 1991. 
Hilton, Tim, "When Photography Clicked," The Guardian, December 27, 1991. 
Pagneux, Jean, "Les Grands Cimitières Sous la Lune," L'Humanité, December 21, 1991. 
"Les délices de Kapoor, Non Sans Pigment," Lyon Libération, December 20, 1991. 
Bost, Bernadette, "Le Bleu de l'Inconnu," Le Monde Rhone-Alpes, December 15, 1991. 
Praplan, Geneviève, "Le Desir et la Croyance," La Suisse, December 11, 1991. 
Dobbels, Daniel, "Kapoor: La Forme de l'Ineffable," Libération, December 8, 1991. 
Gonnet, Philippe, "L'Essence de la Matière," Dauphiné Liberé, December 4, 1991.     
Gabriel, Nelly, "Anish Kapoor, Magicien et Illusioniste," Lyon Figaro, December 4, 1991. 
"Turner Prize for Anish Kapoor," Indian Weekly, December 1991. 
Allthrope-Guyton, Marjorie, "Made in Heaven," Artscribe, December 1991. 
Lubbock, Tom, "Safety in Numbness," Independent Weekly, December 1991. 
"Anish Kapoor in Het Magazin," Forum, November/December 1991. 
Scudero, Domenico, "XLIV Venice Biennale," Tema Celeste, No. 27-28, November/December, 1991, pp. 52 – 54 [ill.].
Engelson, Susanne, "Du Matériel à l'Immatériel ... A Grenoble," Le Gutemberg, November 29, 1991. 
Dorment, Richard, "A Winner in a Class of His Own," Daily Telegraph, November 27, 1991. 
Perrard, Sylvie, "Quand la Pierre Devient Immaterielle," Dauphiné Liberé, November 22, 1991. 
Frankel, Clai, "Watch Where You Walk at Tate," International Herald Tribune, November 17, 1991.
Kent, Sarah, "Prize Fighters," Time Out, November 1991. 
du Tan, Stephanie, "Pigments of the Imagination," The Journal of Art, Vol. 3, No. 2, November 1991, pp. 31 – 33 [ill.].    
Smulders, Caroline, "Anish Kapoor: Vers la Dematerialisation de l'Objet," Art Press, No. 152, November 1991, pp. 16 – 21 [ill.].
Vetrocq, Marcia E., "Vexed in Venice," Art in America, Vol. 78, No. 10, October 1991, pp. 152 – 163 [ill.].
Shioda, Junichi, "Here's to Art! The Spirit of John Bull," Geijutsu Shincho, October 1991, p. 12.
Taylor John Russell, "Shapes and Assemblies," The Times London, October 3, 1991.
Frank, Peter, "Sculpture at the 1990 Venice Biennale," Sculpture, September/October 1991, pp. 36 – 39 [ill.].
Lowenthal, Cecily, "The Venice Biennale 1990," Artention, No. 14, September/October 1991, pp. 46 – 50 [ill.].
Brenson, Michael, "Anish Kapoor," The New York Times, September 28, 1991.     
"Venice Biennale," ARTS, Vol. 65, No. 1, September 1991, pp. 109 – 110. 
Leigh, Christian, "Pop Goes the Biennale," Contemporanea, September 1991, pp. 88 – 91 [ill.].
Pejic, Bojana, "What Will Become of Our Sensitive Skin," Artforum, Vol. XIX, No. 1, September 1991, pp. 130 – 132 [ill.].
Nuridsany, Michel, "Biennale de Venise," Galeries, August/September 1991, pp. 104 – 107, 142 [ill.]. 
Hall, James, "Pure Gold(smiths')," New Statesman, August 2, 1991.     
Drateln, Doris Von, "Anish Kapoor," Kunstforum International, Bd. 109, August/October 1991, pp. 304 – 315 [ill.].
McEwen, John, "In the Buff, Out of the Cold," Sunday Telegraph, July 21, 1991.
Lubbock, Tom, "Shortlist on Ideas," The Independent, July 1991. 
Garlake, Margaret, "Brown Bagging in Venice," Art Monthly, July 1991, pp. 3 – 5.
Nemeczek, Alfred, "Biennale 90: Amerika Verkauft Sich am Besten," Art, No. 7, July 1991, pp. 28 – 37 [ill.].
"Les Marchands," Le Nouvel Observateur/Artspectacles, July 26 – August 1, 1991, p. 72 – 73.
Galligan, Gregory, "Steamed-Up Mirrors and Boogie-Woogies," Art International, No. 14, Spring/Summer 1991, p. 69 [ill.].     
Archer, Michael, "No Solo Escultura: Inglaterre," Lapiz, Summer 1991, pp. 44 – 48.
Kemp, John, "Stones of Venice: Anish Kapoor at the Biennale," Modern Painters, Vol. 3, No. 2, Summer 1991, pp. 44 – 46 [ill.].
Watkins, Jonathan, "Venice Preview - Anish Kapoor," Art International, No. 11, Summer 1991, p. 86 [ill.]. 
Plagens, Peter, "The Venetian Carnival," Newsweek, June 11, 1991, pp. 60 – 61 [ill.].
Royer, Ann Hindry, "Champs de Pierre d'Anish Kapoor," Beaux-Arts, No. 80, June 1990, pp. 64 – 66 [ill.]. 
Gibson, Michael, "From the Poetic to Kitsch at the Biennale," International Herald Tribune, June 2, 1991. 
Meer, Ameena, "Anish Kapoor," Interview, June 1990, p. 93 [ill.].
Allthorpe-Guyton, Marjorie, "Original Sites: The Sculpture of Anish Kapoor," Artscribe,   No. 81, May 1991, pp. 50 – 52 [ill.].
Curtis, Penelope, "Sculpture on the Threshold," The Antique Collector, May 1991, pp. 66 – 73.
Kent, Sarah, "Mind Over Matter," 20/20, May 1991, pp. 36 – 40.
Feaver, William, "Venice, Vidi, Vici: William Feaver at the Biennale," Vogue, May 1991, pp. 6 – 12.
Buck, Louisa, "Pigments of the Imagination," Sunday Correspondent, May 13, 1991, pp. 10 – 14 [ill.].
Williams, Joseph, "Boulders for the Biennale," The Times London, May 21, 1991. 
Checkland, Sarah Jane, "No Critics Please, They're British," The Times London, May 21, 1991. 
Vaizey, Marina, "Eye-Opening Tour Around the Bloc," The Sunday Times, May 27, 1991, p. E2.
Kimmelman, Michael, "Venice Biennale Opens with Surprises," The New York Times, May 28, 1991, p. C11, C17 [ill.]. 
Mays, John Bentley, "Looking at the Inwardness of   Things," The Globe and Mail, May 30, 1991, p. C7 [ill.]. 
Renton, Andrew, "Anish Kapoor - Lisson Gallery, Flash Art, No. 151, March/April 1991, pp. 151 – 152 [ill.]. 
"Anish Kapoor: Lisson  Gallery," Artforum, Vol. 28, No. 7, March 1991, pp. 175 – 176 [ill.].
Lewallen, C., "Anish Kapoor," View, Vol. VII, No. 4, Fall 1991 [ill.]. 
D'Amato, Brian, "Anish Kapoor: Barbara Gladstone," Flash Art, vol. XXIII, No. 155, 1991, p. 154 [ill.].


"Le Trou Noir et du Trou," Grenoble Bimensuel, December 8, 1990 – January 18, 1991. 
Kent, Sarah, "Sculpting Inner Spaces," Contemporanea, Vol. III, No. 6, Summer 1990, pp. 80 – 85 [ill.].
"New York in Review," Arts Magazine, December 1990. 
Spring, Justin, "Anish Kapoor, Barbara Gladstone Gallery," Artforum, December 1990, p. 137.
Allthorpe-Guyton, Marjorie, "London: Anish Kapoor Lisson Gallery," Artforum, March 1990 [ill.].
Graham-Dixon, Andrew, "Venice Biennale 1990," Audio Arts Magazine, Vol. 10, No. 4, 1990. 
Monnier, Geneviève, "Brève Histoire du Bleu," Art Studio, No. 16, 1990. 
Cork, Richard, "Anish Kapoor," The Sunday Correspondent, 1990, p. 12.


Currah, Mark, "Anish Kapoor: Lisson Gallery," City Limits, December 21, 1989, p. 109.
Meer, Ameena, "Anish Kapoor," BOMB, No. 30, Winter 1989, pp. 38 – 43.
Auty, Giles, "Anish Kapoor at Lisson Gallery," Spectator, December 16, 1989, p. 35.
Lillington, David, "Anish Kapoor," Arts Review, Vol. 41, No. 25, December 15, 1989, pp. 889 – 890.
Graham-Dixon, Andrew, "Pride and Prejudice," The Independent, December 5, 1989. 
Vaizey, Marin, "Why Partiality Does Not Tell the Whole Story," Sunday Times, December 10, 1989. 
Feaver, William, "Voices from the Void," Observer, December 10, 1989, p. 44.
Dorment, Richard, "Vexed Questions of Color," Daily Telegraph, London, December 9, 1989. 
Packer, William, "Sculptor with the Best of Both Worlds," Financial Times, December 12, 1989, p. 42.
Ottmann, Klaus, "The New Spiritual," ARTS, October 1989, pp. 44 – 46 [ill.].
Princenthal, Nancy, "Anish Kapoor at Barbara Gladstone," Art in America, October 1989.
Kapoor, Anish, Sylvie Primard, and Pier Luigi Tazzi, "Mother as a Mountain," Artforum, September 1989, pp. 126 – 131.
Mahoney, Robert, "New York in Review," ARTS, Vol. 64, No. 1, September 1989, p. 98.
Westfall, Stephen, "Anish Kapoor: Barbara Gladstone Gallery," Flash Art, No. 147, Summer 1989, p. 147.
Heartney, Eleanor, "Anish Kapoor, Razgovor," Moment, No. 15, July–September 1989, pp. 16 – 18.  
"Anish Kapoor," Tema Celeste, English Edition, No. 21, July–September 1989, and Arts Magazine, September 1989, p. 98.
Zimmer, William, "Anish Kapoor," Sculpture Magazine, Vol. 8, July/August 1989, p. 38.
Heartney, Eleanor, "The New Social Sculpture," Sculpture Magazine, Vol. 8, July/August 1989. 
Mueller, Cookie, "Art and About," Details, June/July 1989, pp. 135 – 136.
Puvogel, Renate, "British Sculpture 1960-1988," Kunstforum International, Bd. 101, June 1989, pp. 359 – 361.
Freudenheim, Susan, "New York Galleries Open Doors to International Artists," San Diego Tribune, May 5, 1989, p. C6.
Larson, Kay, "Art," New York Magazine, Vol. 22, April 24, 1989, p. 87.
Schjeldahl, Peter, "Earthy but Housebroken," 7 Days, April 19, 1989, pp. 64 – 65. 
Szabat, A. M., "'Sculptors on Paper' Serves as Letters of Introduction to most Lincolnites,"    Lincoln Journal, April 6, 1989, p. 13. 
Marlow, Tim, "Generation Games in Sculpture," Arts & Design, Vol 5, No ¾, 1989, p. 63.

Kent, Sarah, "Anish Kapoor - Lisson Gallery," Art in America, Vol. 76, September 1988, p. 201. 
Sewell, Brian, "Starlit Waters," Modern Painters, Vol. 1, Autumn 1988, pp. 66 – 67.  
Martin, Rupert, "Anish Kapoor: The Journey from an Earthly to a Heavenly Body," Flash Art, No. 141, Summer 1988, p. 159. 
Graham-Dixon, Andrew, "Modern Art in the Dock," The Independent, May 26, 1988. 
Feaver, William, "Coy Irreverence," The Observer, May 26, 1988. 
Lee, David, Arts Review, April 22, 1988. 
Brenson, Michael, "Review/Art," The New York Times, April 7, 1988, p. C23.
Vaizey, Marina, "Shaping up to Abstracts," The Sunday Times, 1988. 


Bonaventura, Paul, "An Introduction to Recent British Sculpture," Artefactum, September–October 1987. 
"Anish Kapoor," Lapiz, No 42, 1987, p. 57.


Kuspit, Donald, "Anish Kapoor: Barbara Gladstone," Artforum, November 1986, p. 129.
Bonaventura, Paul, "An Introduction to Recent British Sculpture," Artefactum, September 1986. 
Russell, John, "Bright Young Talents:  Six Artists with a Future," The New York Times, May 18, 1986, p. 1, 31. 
Cooke, Lynne, "Mnemic Migrations," Louisiana Review, No. 2, March 1986. 


Arnold, Bruce, "Close Look at New British Sculpture"' Sunday Independent, November 
24, 1985. 
Mathonnet, Philippe, "Poudre aux Yeux et Faux Bois!" Journal de Geneve, October 19, 1985. 
Zwez, Anneliese, "Zwei Pole: Intellektuelle Konzepte und Sinnliche Strahlkraft," Aargauer Tagblatt, October 17, 1985. 
"Neues aus Amerika und Indien," Der Bund, October 10, 1985. 
Hollenstein, Roman, "Von Johns und Artschwager bis Kapoor," Neue Zurcher Zeitung, October 10, 1985. 
"Noli me Tangere' und 'Beruhren Gestattet'," Basellandschaftliche Zeitung, October 9, 1985. 
Gassert, Siegmar, "Tisch und Stuhl und Kreis und Kugel und Muschel," Basler Zeitung, October 7, 1985. 
Vedrenne, Elisabeth, "L'illusion du Desir," Decoration International, Paris, No. 85, October 1985, pp. 41 – 44. 
Kent, Sarah, "Review," Time Out, September 19 – 25.
Packer, William, "The Age of Discardment," Financial Times, September 19, 1985. 
Vaizey, Marina, "A New Star Carves Out a Sculpture for our Time," The Sunday Times, September 8, 1985. 
"A Text by Anish Kapoor," Lo Spazio Humano, No. 3, July–September 1985, p. 77.
Collier, Caroline, "Forms a Hole Can Take: Anish Kapoor, Lisson Gallery, London," Studio International, Vol. 198, No. 1010, 1985, pp. 43 – 44.
Paparoni, Demetrio, "Spazio di Dio, spazio della Terra," Tema Celeste, No. 6, 1985, pp. 46 – 49. 


"Sculptor Anish Kapoor," Art Gallery, December 1984. 
 Baker, Kenneth, "Anish Kapoor at Barbara Gladstone," Art in America, No. 72, October 1984. 
 Princenthal, Nancy, "Anish Kapoor," Art News, Summer 1984. 
 Russell, John, "Art: Inaugural Show is Survey of New Work," The New York Times, May 18, 1984. 
Russell, John, "Anish Kapoor," The New York Times, March 23, 1984. 
Handy, Ellen, "Anish Kapoor," Arts, No. 58, March 9, 1984. 
Cameron, Dan, "Anish Kapoor," Arts Magazine, No. 58, March 7, 1984. 
Newman, Michael, "Discourse and Desire: Recent British Sculpture," Flash Art, No. 115, January 1984, pp. 48 – 55. 
Coleman, John, "Anish Kapoor: Lisson Gallery," Flash Art, No. 115, January 1984. 

Collier, Caroline, "Anish Kapoor at the Lisson Gallery," Studio International, No. 1003, December 1983. 
Dutt, Robin, "Anish Kapoor," New Life, No. 346, November 18, 1983. 
Beaumont, Mary Rose, "Anish Kapoor, Lisson Gallery," Arts Review, November 11, 1983. 
Kent, Sarah, "Review," Time Out, November 3, 1983. 
Cork, Richard, "Lucid Form," Evening Standard, November 3, 1983. 
Paparoni, Demetrio, "Le Radici della Forma," Tema Celeste, November 1983. 
Castello, Michelangelo, "Se il Vero Prende Corpo," Tema Celeste, November 1983, pp. 12 – 15.
Beaumont, Mary Rose, "Anish Kapoor," Arts Review, October 28, 1983, p. 622. 
Baillieu, Amanda, "Strange Monoliths," LAM Magazine, October 1983. 
Beaumont, Mary Rose, "The Sculpture Show," Arts Review, September 1983. 
Lucie-Smith, Edward, "Back in Touch with the Emotions," The Sunday Times, August 21, 1983. 
Taylor, John Russell, "Playing into the Hands of Those who Pour Scorn," The Times London, August 16, 1983. 
Januszczak, Waldemar, "Three into Two Won't Go," The Guardian, August 16, 1983. 
Kinmouth, Patrick, "Anish Kapoor's Shades of Meaning," Vogue, August 1983, pp. 104 – 107.
Newman, Michael, "Figuren und Objekte. Neue Skulptur in England," Kunstforum, No. 62, June 1983, pp. 22 – 35.
Newman, Michael, "Le Drame du Desir dans la Sculpture d'Anish Kapoor," Art Press, No. 70, May 1983, pp. 31 – 33.
Groot, Paul, "Anish Kapoor: 't Venster Gallery," Flash Art, No. 112, May 1983, pp. 70 – 71. 
"Anish Kapoor: Bombay, Londra," Domus, No. 636, February 1983, p. 69.

Newman, Michael, "New Sculpture in Britain," Art in America, September 1982, pp. 104 – 114, 177, 179.
Feaver, William, "Gas Mask," Art News, No. 81, September 1982, p. 123.
Newman, Michael, "Anish Kapoor," Art Monthly, No. 58, July–August, 1982, p. 15.
Collier, Caroline, "Anish Kapoor," Arts Review, June 4, 1982, pp. 289 – 90.
McEwan, John, The Spectator, June 1982. 
Vaizey, Marina, "Anish Kapoor," The Sunday Times, May 1982. 


Feaver, William, "An Air of Light Relief," The Observer, June 26, 1981.