"Eleven Ways of Looking at Elliott Hundley"
Los Angeles Review of Books, review by Jonathan Alexander
November 5, 2023
“Interview with Elliott Hundley"
Contemporary Art Review Los Angeles, Interview by Sampson Ohringer
July 4, 2023
"Attentive to needs"
Los Angeles Times, Review by Christina Catherine Martinez
January 31, 2023
"Inclusive Family: Elliott Hundley Interviewed by Osman Can Yerebakan"
BOMB, interview by Osman Can Yerebakan
October 11, 2021
"How did Elliott Hundley curate 7,500 artworks into a 39-piece MOCA show? With scissors"
Los Angeles Times, feature by Deborah Vankin
June 12, 2019
"Artist Elliott Hundley embraces chaos by getting closer to it"
Document Journal, feature by Ann Binlot
June 12, 2019
"Elliott Hundley's painting at the Broad puts ancient history under a modern magnifying glass"
Los Angeles Times, interview by Deborah Vankin
July 31, 2018
“Exhibition Review: ‘There Is No More Firmament’ – Elliott Hundley Solo Exhibition”
Gallery Magazine, review by David Pagel
June 2016
“Datebook: Otherworldly collage-paintings, prison art, C.O.L.A. grant winners' work goes on view”
Los Angeles Times, preview by Carolina Miranda
May 13, 2016
"Review: Elliott Hundley coolly views the chaos of modern life"
Los Angeles Times, review by David Pagel
April 15, 2014
"Elliott Hundley's Collages Confound and Delight at Los Angeles's Regen Projects"
Architectural Digest, review
March 31, 2014
"Elliott Hundley’s Kaleidoscopic Artworks"
Architectural Digest, article by Mayer Rus
February 28, 2013
"Art review: Elliott Hundley at Regen Projects II"
Los Angeles Times, review by David Pagel
June 2, 2011
"Elliott Hundley at Regen Projects II"
L.A Weekly, review by Christopher Miles
March 20 – 26, 2009
"First Come the Dealers, and Then the Diplomas"
The New York Times, article by Jori Finkel
July 3, 2005