Selected Catalogues and Publications:



Lehnert, Christina, Philippe Pirotte, and Willem de Rooij, eds., Pierre Verger in Suriname, published by Koenig Books, 2021



Harten, John, et al. TRANCE: Albert Oehlen, published by Skira editore S.p.A., Milan, Italy, 2019, pp. 188 – 190 [ill.]

de Abreu, Jessica, Nick Aikens, Paul Goodwin, Charl Landvreugd, Willem de Rooij, Greg Tate, Benno Tempel, and Allison Young, The Measurement of Presence, published by Hannibal Publishers, Belgium, and the Mondriaan Fund, Amsterdam, 2019



Koenig Verlag, Walter, Jump into the Future – The Borgmann Donation, published on the occasion of “Jump into the Future – Art from the 90's and 2000's,” Stedelijk Museum, Amsterdam, The Netherlands, 2018

Rollig, Stella and Rolf H. Johannsen, eds., Say It With Flowers! Viennese Flower Painting from Waldmüller to Klimt, published by Österreichische Galerie Belvedere, Vienna, Austria, 2018



Ekardt, Philipp, Susanne Gaensheimer, Manfred Hermes, Stephanie Moisdon, and Willem de Rooij, Willem de Rooij. Fong Leng. Sportswear, published by Verlag der Buchhandlung Walther König, Cologne, Germany, and MMK Museum für Moderne Kunst, Frankfurt, Germany, 2016

Hui, Shi, and Si Shunwei, eds., Weaving & We, essay “Willem de Rooij” by Chris Sharp, published by China Academy of Art Press, Zhejiang Province, China, pp. 268 – 273 [ill.]

Budak, Adam, and Michaela PejĨochová, eds., White Rabbit: On the Art of Giving, published by National Gallery in Prague, Prague, Czech Republic, 2016



Macel, Christine, and Elisabeth Sussman, Collected by Thea Westreich Wagner and Ethan Wagner, published by Whitney Museum of American Art, New York, NY, 2015

Ayas, Defne, Amira Gad, and Willem de Rooij, Character Is Fate: Piet Mondrian’s Horoscope, published by Witte de With Center for Contemporary Art, Rotterdam, Netherlands, 2015

Joan Müller, Vanessa, Willem de Rooij: About, published by Verlag der Buchhandlung Walther König, Cologne, Germany, Petzel, New York, NY, Galerie Buchholz, Cologne/Berlin, Germany, and MMK Museum für Moderne Kunst, Frankfurt, Germany, 2015

Blazwick, Iwona, and Magnus Af Petersens, eds., Adventures of the Black Square: Abstract Art and Society 1915–2015, published by Prestel and Whitechapel Gallery, London, UK, 2015

Baker, George, Ann Goldstein, Michael Maltzan, and Shaun Caley Regen, Regen Projects 25, published by Prestel, New York, NY, 2015


Bryson, Fiona and Keren Cytter, eds., Fear of Language, Poetic Series #3, published by Sternberg Press, Berlin, Germany, 2014


Balsom, Erika, Film Culture in Transition: Exhibiting  Cinema in Contemporary Art, Amsterdam University Press, Amsterdam, The Netherlands, 2013



Lütticken, Sven and Dirck Möllmann, Residual, published by Verlag der Buchhandlung Walther König, Cologne, Germany, 2012

Liska, Sylvia, The Secession Talks: Exhibitions in Conversation 1998-2010, published by Verlag der Bucchlandlung Walther Konig, Koln, Germany, 2012, pp. 420 – 429 [ill.]



Meyer-Krahmer, Benjamin and Willem de Rooij, eds., Intolerance, published by Verlag Feymedia, Düsseldorf, Germany, 2010



Buchmann, Sabeth, Ann Goldstein, Julian Heynen, Gianfranco Maraniello, and Andrea Viliani, Jeroen de Rijke / Willem de Rooij, published by K21 Kunstsammlung Nordhein-Westfalen , Dusseldorf, Germany, MAMbo Museo d’Arte Moderna di Bologna, Bologna, Italy, 2008

All of a Sudden. Things that Matter in Contemporary Art, essay “The Flaneur” by Jörg Heiser, published by Sternberg Press, New York, NY, 2008


Gielen, Denis, Atlas of Contemporary Art for Use by Everyone, published by Musée des Arts Contemporains au Grand-Hornu, Tournai, Belgium, August 2007, p. 19 [ill.]

Braidotti, Rosi, Charles Esche, and Maria Hlavajova, eds., Citizens and Subjects: The Netherlands for Example, published by La Biennale de Venezia, Venice, Italy, BAK, Utrecht, Netherlands, and jrp|ringier, Zürich, Switzerland, 2007



Why Pictures Now, essay “Jeroen de Rijke / Willem de Rooij” by Anna Artaker, published by Museum Moderner Kunst Stiftung Ludwig Wien, 2006, p. 147

Höller, Christian, Christian Kravagna, and Joan Müller, Secession: Jeroen De Rijke & Willem De Rooij / Christopher Williams, published by Verlag der Buchhandlung Walther König, Cologne, Germany, 2006


Mania, Astrid, "de Rijke/ de Rooij," Art Now: Volume 2, published by Taschen, 2005, pp. 436-9, ills

Gamboni, Dario, Tom Holert, and Martijn van Nieuwenhuyzen, deRReb, published by Revolver Books, Frankfurt, Germany, 2005

De Corral, Maria, and Rosa Martinez, 51st International Exhibition of Visual Arts 2005: Venice Biennale, published by Rizzoli, Milan, Italy, 2005



Beccaria, Marcella, Rosa Martinez, Francis McKee, Molly Nesbit, Hans-Ulrich Obrist, Jan Tumlir, and Jan Tumlir, The Hugo Boss Prize 2004, published by the Guggenheim Museum, New York, NY, pp. 29 – 39, 90 [ill.]


Bussel, David, Sven Lütticken, Jan Verwoert, and Onno I.M. Ydena, Jeroen de Rijke, Willem de Rooij published by and Kunsthalle Zurich and jrp|Ringier, Zürich, Switzerland, 2003 [ill.]
Diederichsen, Diedrich and Georg Schüllhammer, Jeroen de Rijke & Willem de Rooij: Spaces and Films 1998 – 2002, published by Van Abbemuseum, Eindhoven, Netherlands and Villa Arson, Nice, France, 2003    


Berger, Tobias and Šiuolaikinio Meno Centras, Centre of Attraction: Catalogue of the 8th Baltic Triennial of International Art, published by Vilnius, Lithuania, 2002



De Rijke/De Rooij: Director’s Cut, essay “What Beauty Saves the World?” by Lars Bang Larsen, published by Museet for Samtidskunst, Oslo, Norway on the occasion of the exhibition “Jeroen de Rijke and Willem de Rooij: Three Films,” Museet for Samtidskunst, Oslo, Norway, 2001, pp. 17 – 21, 30 – 34


Still/Moving, Contemporary Photography, Film and Video from The Netherlands, essay “Jeroen de Rijke/Willem de Rooij” by Jell Bouwhuis, published by The National Museum of Modern Art, Kyoto, Japan, 2000, pp. 124 – 126, 129, 153 – 154For Real, published by nai010 Publishers and Stedelijk Museum, Amsterdam, Netherlands, 2000, pp. 46 – 47 

Loers, Viet, Nicolaus Schafhausen, and Caroline Schneider,eds., Jeroen de Rijke/Willem de Rooij : after the hunt, published by Lukas & Sternberg, New York, NY, 2000



L'Autre Sommeil, essay “L'Autre Sommeil: The Other Sleep” by Angeline Scherf, published by Musée d'art moderne de la ville de Paris, Paris, France, pp. 77 – 80 

L'Autre Sommeil, essay “Panic Desire” by Carlos Basualdo, published by Musée d'art moderne de la ville de Paris, Paris, France, pp. 91 – 99 



Manifesta 2, essay “The Biography of an Exhibition” by Maria Lind, published by Manifesta, Amsterdam, Netherlands, 1998


Selected Reviews and Articles:



Tenaglia, Francesco. “Critics’ Picks: Willem de Rooij.” Artforum (May 2021) [ill.] [online]

Brank, Sebastjan. “Profile: Pierre Verger in Suriname. On Willem de Rooij.” Arts of the Working Class (January 20, 2021) [ill.] [online]



de Rooij, Willem. "Willem de Rooij Finds Complexity Underrated.” Frieze Magazine (October 26, 2020) [ill.] [online]

Higashino, Yuki. “Thomas Locher and Willem de Rooij.” Artforum (January 2020) p. 230



Campbell, Andy. “‘Stories of Almost Everyone.’” Artforum (May 2018) p. 229 [ill.]

“‘Stories of Almost Everyone’ at Hammer Museum.” Modern Painters (January – February 2018) pp. 129 – 131 [ill.]

Chamberlain, Colby. “Previews: ‘Stories of Almost Everyone.’” Artforum (January 2018) p. 80 [ill.]



Berardini, Andrew. “FLORAL PATTERNS: An essay about flowers and art (with a blooming addendum.).” Mousse (October/November 2016) pp. 230 – 245 [ill.]

Rooij, Willem de. “Alte Meister, Von Neuen Geliebt.” Monopol (October 2016) p. 32 [ill.]

Birnbaum, Daniel. “Floral Imperative: The Art of Willem de Rooij.” Artforum (September 2016) pp. 288 – 297 [ill.]



Piejko, Jennifer. “Willem de Rooij’s ‘Legal Noses’.” Art Agenda (July 31, 2015) [ill.] [online]
Moffitt, Evan. “Willem de Rooij at Regen Projects.” Contemporary Art Review Los Angeles (Carla) (July 29, 2015) [ill.] [online]

Graves, Jen. “Willem de Rooij's ‘Bouquet XI’ Is a Complicated Arrangement.” The Stranger (June 17, 2015) [ill.] [online]

“The Lookout: Willem de Rooij.” Art in America (April 16, 2015) [ill.] [online]

Smith, Roberta. “10 Galleries to Visit in Chelsea.” The New York Times (April 7, 2015) p. C31 

Lauwaert, Maaike. “Critics’ Picks: Willem De Rooij at Weltkulturen Museum.” Artforum (March 2015) [ill.] [online]

Trigg, David. “Willem de Rooij: Arnolfini, Bristol, 21 November – 8 February.” ArtReview (January/February 2015) p. 130 [ill.]


"Shortlist Announced for 50,000 Euro Vincent Van Gogh Biennial Award." artlyst (May 8, 2014) [online]


Morgenthaler, Daniel. “Ein grenzenloser Brocken.” Baseler Zeitung (June 14, 2013)
Springer, Anna-Sophie. “Colonizing the Exhibition Space.” Fillip no. 18 (Spring 2013) pp. 34 - 40 [ill.]



Salmeron, François. “Willem De Rooij, Black and Blue.” Paris-art.com (November 2012) [online]

Diederichsen, Diedrich. “On All Channels.” Artforum (September 2012) pp. 446 – 453 [ill.]
Maria Stadler, Eva. “Willem De Rooij/Kunstverein München.” Frieze n°148 (June – August 2012) pp. 196 – 197 
Roelstraete, Dieter. “Art Work.” Texte Zur Kunst (June 2012) p. 158
Roelstrate, Dieter. “’Anagrammatisch Gewebt,’ Willem De Rooij – Untilted im Kunstverein München.” Süddeutsche Zeitung Nr. 49 (2012) p. 12



“Intolerance.” Artforum (December 2011) p. 192
Wise, Lloyd. “Willem de Rooij.” Artforum (October 2011)
Metropolis (August/September 2011) [ill., cover]



Heiser, Jörg. “Willem de Rooij, As We Speak.” Frieze (October 2010)
Roelstraete, Dieter. “Artists at Work: Willem de Rooij.” Afterall (November 2010)
Williams, Sam. “A chat with... Willem de Rooij.” Exberliner (October 2010)
“Kriegsgott mit Funkenschlag.” Monopol (2010)
Kothenschulte, Daniel. “Silber zu Gold: Willem de Rooij in der Kölner Galerie Buchholz.” Monopol (March 2010)



“A Specially-commissioned Project: Willem de Rooij, DADDY COOL.” Kaleidoscope (March – April 2009)



Lee, Pamela M. “Jeroen de Rijke/Willem de Rooij: A Portfolio.” Artforum (March 2008)



“Double Dutch.” Modern Painters (December 2007 – January 2008)
de Vries, Marina. “Opnieuw bedriegt schoonheit, International tweeluik in Dusseldorf en Bologna.” de Volksrant (December 22, 2007) p. 13    
Schulze, Karin. “Jeroen de Rijke / Willem de Rooij.” Financial Times Deuchland  (December 19, 2007)
Kohler, Michael. “Die Schonheit des Nachbilds.” Art Magazin (December 2007)

Lee, Pamela M. “Jeroen de Rijke-Willem de Rooij.” Artforum (September 2007)

Germer, Stefan. “Ton Fur Ton.” Texte zur Kunst (June, Edition Heft Nr. 70) pp. 253 – 256

Hackworth, Nick. “Stay Forever and Ever and Ever.” Evening Standard (May 3, 2007)

Delot, Sébastien. “Reviews.” Flash Art (March – April 2007)



Williams, Christopher. ”Jeroen de Rijke 1970-2006.” Springerin issue XII/3 (Summer 2006)  pp. 58 – 59
van Nieuwenbuyzen, Martijn. “Jeroen de Rijke / Willem de Rooij.” Exit Express (Summer 2005)
Schambelan, Elizabeth. “de Rijke/de Rooij.” Artforum (April 2006) p. 243 [ill.]
Smith, Roberta. “de Rijke/de Rooij.” The New York Times (February 17, 2006) p. B38
Dyer, Richard.“Jean-Conrad and Isabelle Lemaitre.” Contemporary 21 issue 80 (2006) pp. 89 – 91 
Eichler, Dominic. “Projekt Migration.” Frieze (March 2006) pp. 153 – 154 



Goldstein, Ann. “Best of 2005 – Jeroen de Rijke and Willem de Rooij, Mandrin Ducks.”Artforum (December 2005) pp. 246 – 247 
de Rijke, Jeroen. “Michael Krebber – The Artists’ Artists.” Artforum (December 2005) p. 107
de Rooij, Willem. “Keren Cytter – The Artists’ Artists.” Artforum (December 2005) p. 105
Buchmann, Sabeth. “Szenen einer Biennale. Spuren von Institutionskritik in Arbeitn von Tino Sehgal und de Rijke/de Rooij.” Texte zur Kunst, issue 59 (September 2005) pp. 54 – 63 
Boogerd, Dominic van den. “Sociale Curruptie. Een interview met de Rijke/de Rooij.” Metropolis Magazine (August/September 2005) pp.33 - 43



Moon, Iris. “A question of happiness: the Busan Biennale 2004.” Flash Art (October 2004)

Ward, Ossian. “Biennale of Sydney.” Frieze (October 2004)

Hoffmann, Jens. “Wellem de Rooij, Anri Sala Interview.” Tate etc. issue 2 (Autumn 2004) pp. 62 – 63 

Godfrey, Mark. “Another Time, Another Space.” Tate etc. (Autumn 2004)
Lütticken, Sven and Camiel Van Winkel. “Exegetisch delirium.” De Witte Raaf (July – August 2004)
“Stedelijk Museum CS.” Tema Celeste (July – August 2004)
Francblin, Catherine. “Geographies #3.” Artpress (February 2004)


Miles, Christopher. “Critics Picks: de Rijke/ de Rooij.” Artforum.com (July 19, 2003) [ill.] 
Pagel, David. “Carpet’s Magic Pulls at Emotions.” The Los Angeles Times (July 4, 2003) p. E21 [ill.]    
de Rijke, Jeroen and de Rooij, Willem. “Azra Akin, Agbani Darego, Ayaan Hirsi Ali, Amina Lawal.” Springen (January 2003) pp. 42 – 45 [ill.] 
Menin, Samuele and Sansone, Valentine. “Focus Video and Film.” Flash Art  (March – April 2003) p. 94
Lorch, Catrin. “Jeroen DeRijke und Willem de Rooij: The Point of Departure.” Springerin (January 2003) p. 70
Reindl, Uta M. “Jeroen de Rijke/Willem de Rooij.” Kunstforum (January – February 2003)


Herbert, Martin. “The Glossy Untruth.” Tema Celeste (September/October 2002) pp. 58 – 63 [ill., cover]
Gaines, Malik. “Jeroen de Rijke / Willem de Rooij.” Tema Celeste (January/February 2002) p. 87 [ill.]
Kent, Sarah. “In the Frame.” Time Out London (June 26, 2002)
Bishop, Claire. “In the Shadow of the Dutch Masters.” Evening Standard London (May 31, 2002) p. 2
Intra, Giovanni. ”Project: de Rijke/ de Rooij.” Artext (issue #76) pp. 30 – 35 [ill.] (February 2002)
de Rijke, Jeroen and Willem de Rooij. “De Rijke en De Rooij - Bantar Gebang.” Open, Stichting Kunst en Openbare Ruimte (2002)
“Jeroen de Rijke and Willem de Rooij.” The Guardian (2002)



Myers, Holly. “Truth in Motionlessness.” The Los Angeles Times (November 9, 2001)
McFarland, Dale. “Being There.” Frieze  (January – February) pp. 90 – 93 
Rosenberg, Karen. “Deliberate Living.” Untitled Nr. 24 (Spring 2001) p. 29



Backhaus, Catrin. “Lächeln, Saufen, Lieben.” Blitz Review (2000)
“Kunsthaus Glarus - de Rijke / de Rooij.” Praxis (2000)
von Arb, Eugen. “Felsen in der Bilderflut unserer Zeit - Das Kunsthaus Glarus zeigt Filme von de Rijke/de Rooij.” Die Südostschweiz (September 14, 2000)
Bem, Merel. “Samensein voor twee, Chinees onder Titled.” Volkskrant 31 (May 2000)
Bouruet-Aubertot, Véronique. “Zoom, Chemins de travers.” Beaux-Arts magazine (February 2000)
Echterhoff, Gerald. “It is beautiful, isn't it?” Texte zur Kunst (March 2000) pp. 287 – 290 
Kothenschulte, Daniel. “Jeroen de Rijke & Willem de Rooij.” Flash Art (November – December 2000) p. 97
“Preise.” Kunst-Bulletin Nr. 9 (September 2000) p. 57
“L'autre sommeil.” Le Monde (January 2000)
“L'autre sommeil.” Atlantica (January 2000)
Régnier, Philippe. “Sommeil trompeur. Roni Horn et 'L'autre sommeil à l'ARC.” Journal des Arts (January)
Stange, Raimar. “Zu schön, um wahr zu sein?” Kunst-Bulletin Nr. 11 (November 2000) p. 18 – 23 
Vogel, Matthias. “Burleske und leise Geschichten.” Neue Zürcher Zeitung (October 5, 2000)
Wetterwald, Elisabeth. “L'autre sommeil.” Parpaings (January 2000)



Auffermann, Verena. “Alle Ekstasen im Schrank - Das Innen nach außen: neue Ausstellungsstrategien in Frankfurt.” Süddeutsche Zeitung (July 10 – 11, 1999) 
Blomen-Radermacher, Sigrid. “Zeit sichtbar und spürbar machen.” Rheinische Post (June 3, 1999)
Braak, Lexter “Kalme eindeloosheid.” Metropolis Magazine Nr. 6 (December 1999 – January 2000)
“A Fri-Art, trois Hollandais multiplient les sensations.” Der Bund (May 22, 1999)
Danicke, Sandra. “Der Raum und seine Ordnung 'To the People of the City of the Euro' im Kunstverein.” Frankfurter Rundschau Nr. 123 (May 31, 1999)
Elstgeest, Tanja. “The film rolls, a thought takes shape ...” Cross Nr. 2 (1999) p. 123 – 129 
Hierholzer, Michael. “Spiegelungen der Stadt im künstlichen Raum.” Frankfurter Allgemeine Zeitung Nr. 122 (May 29, 1999)
Hohmann, Silke. “Transparenz als Prinzip.” Journal Frankfurt (June 11 – 24, 1999) p. 38
Huther, Christian. “To the People of the City of the Euro.” Kunstforum International Bd. 147 (September – November 1999) pp. 417 – 418 
Huther, Christian. “Verzicht auf die klassischen Disziplinen.” Allgemeine Zeitung Mainz (June 8, 1999)
Imbach, Jost Martin. “Dichte Atmosphäre dank Farbe.” La Liberté (April 13, 1999)
Larsen, Lars Bang. “Off the silver screen.” The Nordic Art Review Nr.1 (1999) pp. 54 – 57 
“Film im Film. Rauminstallation von de Rijke / de Rooij im Museum Abteiberg.” Mönchengladbach Aktuell (June 1, 1999)
Müller, Vanessa Joan. “Jeroen de Rijke und Willem de Rooij.” Frankfurter Kunstverein Hefte 0/99 (May 1999) p. 13
Orzessek, Arno. “Auge, blick mal! Die Ausstellung 'h:min:sec' in Köln: Auf dem Höhepunkt des Tempos hält die Kunst die Uhr an.” Süddeutsche Zeitung Nr. 273 (December 1998) p. 14
Roos, Renate. “Jeroen de Rijke / Willem de Rooij.” Kunstforum International Bd. 148 (December 1999 – January 2000) p. 344
Roos, Renate. “Indische Impressionen - Vier Filmsequenzen 'Forever and Ever.” Kölner Stadt-Anzeiger (September 30, 1999)
Schmitz, Rudolf. “Waschbeton hinter Dauerregenschleier.” Frankfurter Allgemeine Zeitung Nr. 129 (June 8, 1999) p. 5
Tekampe, Heike. “h:min:sec.” Kunstforum International Nr. 143 (January – February 1999) pp. 378 – 379 
Wirth, Heidrun. “Indien-Illusion.” Kölnische Rundschau (October 2, 1999)


Borderie, Henri-Michel/Ferré, Sylvie. “Les jeunes nomades "manfestent" à Luxembourg.” Inter-art actuel Nr. 71 (1998)
Blase, Christoph. “Luxemburger Pluralismus. Zur Manifesta 2.” Kunst Bulletin Nr. 9 (1998) pp. 16 – 21
Braet, Jan. “Manifesta 2.” Kunstbeeld (September 1998)
Descombes, Mireille. “Manifesta 2: Une expo qui dit 'je'.” L'Hebdo (July 2, 1998)
Frehner, Matthias. “Nachdenkliche junge Kunst zwischen Lift und Eis. Manifesta 2 in Luxemburg.” Neue Zürcher Zeitung (July 7, 1998)
Haase, Amine. “Auch Gary Cooper lädt zur Zeitreise ein.” Kölner Stadt-Anzeiger Nr. 247 (October 23, 1998)
Haase, Amine. “Zwischen Eisberg und Kanalrohr, zwischen Kunst und Kino: Udo Kittelmanns Schau 'h:min:sec'.” Kölner Stadt-Anzeiger Nr. 247 (October 23, 1998)
Imdahl, Georg. “So lange es dauert - wem die Stunden, Minuten, Sekunden schlagen: Der Kölner Kunstverein nimmt sich die Zeit.” Frankfurter Allgemeine Zeitung Nr. 271 (November 21, 1998) p. 38
Jager, Hans den hartog. “Werkelijkheid als kunst  op de Manifesta in Luxemburg.” NRC Handelsblad (June 27, 1998)
Luz, Kathrin. “Mitgegangen, Mitgehangen, Mitgefangen, Die Manifesta in Luxemburg: Drei Kuratoren auf Identitätssuche.” Noema Nr. 49 (October/November 1998) pp. 104 – 105
Manifesta 2 - Europäische Biennale für zeitgenössische Kunst, Luxembourg, Mini-Guide, (1998) p. 63
Nikitakis, Basil. “Plötzlich ist es 'Zwölf Uhr mittags'.” Kölnische Rundschau (October 23, 1998)
Posca, Claudia. “Manifesta könnte Nachfolgerin der 'Biennale des Jeunes' warden.” Kunstforum International Nr. 142 (October – December 1998) p. 358
Raap, Jürgen. “Entdeckung der Langsamkeit: 'h:min:sec' - eine Ausstellung mit Cineastischen Highlights und Künstlervideos im Kölnischen Kunstverein.” Kölner Illustrierte (December 1998)
Rollin, Pierre Olivier. “Réalisme identitaire.” Le Matin (July 6, 1998)
Seijdel, Jorinde. “Koud comfort.” Het Financieele Dagblad (April 18, 1998)
Smallenburg, Sandra. “Open dagen voor jonge kunstenaars.” NRC Handelsblad (November 26, 1998)Seamless, essay “Films over Afstand en vervreemding Verhoeven, Martijn” by Martijn Verhoeven, published by Stichting de Appel Foundation, Amsterdam, Netherlands, 1998



Carels, Edwin. “Broedend Brussel.” Metropolis M Jg. 18, Nr. 3 (1997) p. 46


Breddels, Lilet, Prix de Rome 1996, published by Dordrecht Museum, Dordrecht, Netherlands, 1997, pp. 78 – 79, 81, 100 – 105 
Rozendaal, Ernst-Jan. “Beeldend kunstenaars per film.” Provinciale Zeeuwse Courant (June 8, 1996)



Beerekamp, Hans, “Veel kunst om de Kunst bij eindexamens Rietveldacademie.” NRC Handelsblad (June 28, 1995)